WHISPERING DESIRES

by Julia Proud ©2014

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“Come in,” Tamara uttered a bit startled.

The knock had shattered her brief reverie on the passing of time and she found herself grateful for the distraction, even if a little fearful that the company of the one stepping inside her room was not the one she desired.

And her fear became reality as her husband opened the door and entered with his lit ciggy between his thick dry lips and a glint in his eye telling of the few drinks he had probably already had that evening.

He closed the door behind him, smothering the music coming from the gramophone downstairs. It was one of her favorites, Paul Whiteman’s Whispering, a melody she had first heard, in 1920, only two years ago, before she had been married and stuck in Dallas, living with a man she knew nothing about.

Tamara turned around to look at herself in the mirror, trying to hide the disappointed look on her face.

Why couldn’t it have been her maid walking in, asking about dinner, offering little tidbits of gossip from town?

“You look wonderful, dear!” he exclaimed and blew the smoke toward the clear, untainted surface of the mirror, where her reflexion tensed at his approach.

She was seated at a large vanity table, her earrings in hand. She was about to undress and skip dinner that night, as she had been for the past week.

“Why not come downstairs?” he asked and put on a mocking expression of concern as he leaned to brush his cheek against her short golden locks; he then added lowly “Or are you feeling ill again, my dear?”

His gaze was fixed upon Tamara’s reflexion as he pressed his cheek against hers in a tender gesture that made her stomach hurt and her blood rush. So, she avoided his warm brown eyes and kept her head lowered, and her cold blue gaze upon the glittering jewel between her fingers.

“I’m not well. Yes. So, would you mind-”

“Matter of fact I would mind,” he uttered bluntly and took the earrings from her hand, rendering her speechless for the moment.

Couldn’t he just leave her be?

He put her earrings on, slowly and carefully, taking his time, and every touch of his fingertips on her ear lobes made her skin crawl.

Of course, he couldn’t just leave her be – he was her husband and had been so for over two months now. How long could she go on avoiding his company?

The first few weeks had been filled with wonder and a strange feeling of freedom, but only because he had been away on business. Tamara had had the large eight bedroom house to herself and spent most of her days in the large gardens, reading and listening to music – she had the maid bring out the gramophone whenever the weather allowed, and it allowed almost every day.

But once he returned, her reign ended. Even if he spent his days at his Dallas office and came home in the evenings, there was no sense of freedom anymore, not even in listening to her albums, not even in reading her books.

She had refused him her company long enough, it seemed, and Jeremy would have her sit across the table from him and go through all the motions of gentle society conversation, about the weather, about the house, about his work, about whatever he, the man would choose to talk about.

Tamara had been brought up properly, to be a lady, even if she had gone to college, it had been only so she’d be educated enough for her to marry someone with class, of good breeding. Her father clearly had no idea that his little girl hadn’t been so little or a girl for some time.

Her college experience had been very enlightening, in the ways of men and women.

And so her father’s plans to marry her off to a good family, fell flat when she came back from Mount Holyoke College wearing the latest inappropriate fashions and with her hair cut short, like a boy’s.

Tamara had refused every offer for marriage: lawyers, judges a congressman even. But what she never refused was sex. It was all the more exciting if she didn’t know anything about the man.

And so, her reputation started to wither as the years past lowering her chances to marry well, or even marry at all.

But she believed she didn’t care. The man she had loved was lost to her forever and no other would compare to him. So why should she submit and suffer the company of anyone else, someone who she didn’t and wouldn’t ever care for?

Tamara sat at the table and sought to drown her resentment in wine.

She hated wine and she hated being a wife.

The only reason she accepted marrying this man was… Well, it was lost to her – she’d rather not admit to it, not even to a hint of it.

Tamara was just like any other woman, after all. Under the threat of ending up a sad old spinster, she yielded. She was now twenty-five – old enough to know not to trust a man’s words and old enough to understand her own limits. She was not the sort to grow old in the same house as her father, in that small, irrelevant little town. She wasn’t going to waste her youth trapped there, but she was too afraid to take flight, so, she decided she might as well spend the rest of her days in a cage fit for a canary like her, with a wealthy, snazzy man.

They ate and drank, and, as she had expected, the conversation floated from proper subject to proper subject, weaving a sense of civility into an otherwise barbaric situation.

Jeremy Tusk knew full well he had married a stranger for her pedigree and pleasant appearance. He took a nuisance off her father’s hands and, to sweeten the deal, he also opened a few doors in the southern trade for him. She had been sold by one man and bought by another.

The threat of silence set upon the table as they were almost done with the final course and so, she wandered over to the gramophone and revived Paul Whiteman’s Whispering.

Tamara wasn’t a prude, though Jeremy might have believed that. And, even if she would have never admitted to it, she wasn’t avoiding being alone with him out of a reluctance to give herself to him. On the contrary, she knew she wouldn’t be able to resist him – how else was one to vanquish loneliness?

But, she dreaded the idea of intercourse with her husband. It felt as if she would be sealing the deal, approving the trade, agreeing to the contract that had brought him and her together. She knew that, oddly enough, she’d feel cheaper after being with her husband than she had ever felt after being with men whose names she couldn’t even remember.

A giggle escaped her wine tainted red lips and she shrugged in response to Jeremy’s inquisitive gaze.

“Let’s dance,” she heard herself suggest and he obliged with a smirk.

The man knew how to move, and she found she was lost admiring his face.

He kept a thin mustache, like the actors in those moving pictures, and his eyes were beautiful, even if a little tired. With a long face and a straight, well-defined nose, he reminded her of the Portrait of a Poet by Amedeo Modigliani – she loved his works.

The tune came to an end and so did their evening together. She didn’t protest when his hand took hers and when his lips kissed her fingers.

But, despite her expectations, there was no attempt to kiss her, to enter her room or to persuade her to remain in his company longer.

She stood in front of her vanity table staring at her reflexion, puzzled by her husband’s gallantry.

The fact that he didn’t even allude to wanting to spend the night with her bothered Tamara more than she would have liked to admit. Was he actually being coy about sex?

But what irked her, even more, was that she wanted it now, so much so, that she had spent the better part of an hour staring up at the ceiling, in darkness, stuck in a cold large bed, trying to sleep.

So, she dared slip out of her room, wearing nothing but her silk white night gown. Her bare feet took her along the corridor toward his room, only to freeze at the sound of Jeremy’s voice coming from downstairs.

Tamara couldn’t make out what he was saying or even guess who he was speaking to but she assumed it was the maid, or the butler.

She approached the stairs quietly and took a peek in the entrance hall, just over the railing.

Tamara could see Jeremy’s shadow and the one he was now whispering to – a man. Someone she had never seen before, probably an employee from his cotton trading company; he was well dressed and young, maybe not even twenty – perhaps the son of one of his employees, come, in secret, at that late hour, to ask for a job, a favor, a…

They kissed.

She was sure of it. Jeremy had leaned in and kissed the boy on his lips.

No, no, surely this wasn’t what she had seen.

But, as the boy walked backwards toward the front door, seeking to leave, Jeremy kissed him again, this time, for a while longer, deeper and with an embrace.

She didn’t want to believe it, and for a few seconds she just stood there, staring at them. But once the shock faded, Tamara fled in silence, hiding inside her room.

There was outrage, then pure wonder, confusion and then revelation.

Tamara burst into laughter, covering her mouth, and trying to keep her chuckles in check for fear she might be heard.

All her avoiding, worrying and thoughts of self-importance had been for nothing.

Nothing was what it seemed, was it? You’d think that she would have learned that by now.

She continued to laugh under the covers of her cold bed and soon, her low snickers became quiet sobs.

There was nothing left for Tamara but loneliness and, for the first time in years, she had no choice but to feel it and let it swallow her whole.


Julia Proud is an animation artist and a storyteller. She has experience writing movie scripts, which most likely shows in her books by the manner in which she structures her stories and the way she chooses to walk the reader through a scene.

Actions, dialogue, and the characters’ interpretation of the world are important to her.

She is a firm believer that a story’s first job is to entertain, no matter the medium in which it presents itself. But don’t label her writing mindless fun – Julia knows that real entertainment is achieved by engaging the mind and tricking it, even for a moment, into believing that the story and its characters are real.

 
Julia is currently working on expanding the Jazz Noir Collection that she’s recently started with A Dead Man novella. The Jazz Noir universe is comprised of stories set during and around the Prohibition era, in the U.S. and Whispering Desires is part of that universe.

http://juliaproud.com

FROM WHENCE COMETH THE SONG

Ken Finton's avatarKenneth Harper Finton

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 A NOVEL IN PROGRESS

©2014 Kenneth Harper Finton

CHAPTER ONE: THE MARE’S NEST

“When I’m good, I’m very good, but when I’m bad, I’m better.” – Mae West

The child and the boy that Adam used to be was so foreign to him now. Looking over pages that he wrote more, Adam barely recognized his former self as the person who wrote them.

Adam came from a conservative and opinionated small town in rural Ohio. Those who lived in his little town often claimed it was God’s country. Adam supposed that it might good for the spirit to be content and proud of your community. God’s country seemed to be a stretch, though. So many wonderful spots in the world better fit that description.

Life seemed to be so much more idyllic and simple then. Yet, it seems to Adam that this is never the case. Faded memories – the…

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STORIES FOR GRANDKIDS #1

Ken Finton's avatarKenneth Harper Finton

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Grandpa chewed on the butt end of his cigar as I read him my poem. His eyes rolled a bit beneath the thick wire rimmed glasses and the smoke from the cigar chaffed my nose.

“It’s a good one, son,” he told me, “but it ain’t much to my liking.”

“What do you mean?” I asked.

“Poems were good in my day,” he replied. “You heared a lot of poems back then, The folks who wrote them did not indulge in themselves the way they do now. They didn’t cry over their spilt feelings so much. Your little story is about what you lost out on. Everybody loses out on something or someone. You can’t get through your term on earth less’n you do.”

He placed his cigar on the ashtray that stood on a pedestal near his chair. It raised waves of smoke, then went out.

“They told stories…

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A CONVERSATION WITH CARLOS

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A Conversation with Carlos

by Artemis J, Jones

Present Day, Miami Beach, Florida

 

Lummus park, always a relaxing place, at the heart of this jewel in the south. You can sit here and enjoy the morning sun, unstressed, while the sounds of a day in the making are created for your ears. Those sounds, la turistas, chatting and the blend of delivery trucks making there rounds to all the restaurants along Ocean Drive. Rollerbladers, most, barely dressed females, streaking by and weaving through the dog walkers and a few homeless lugs on the sidewalk. Later some musicians will appear on the street, playing some rhythms and melodies from transcendent cultures deep in Latin America. The sounds of a Latin Guitar riding on the light breeze from the ocean, perfect!

Far off in the park, there is a mirage and a distant image of a man walking towards me. No one else notices him, disguised in his fedora, and dark glasses. He is holding a rolled up newspaper, probably El Tiempo, or maybe the Herald. He sees me on the bench and points right at me while shaking his newspaper. It is Carlos and he is upset with me. Carlos starts talking, I mean yelling, first.

“Gringo, it was your dumb luck we met in the hospital last year. You’re all alike. Stupid!  Always putting the cart before the horse”

“What are you ranting about now, you old Mexican.”  

“Your blog, I was looking at it yesterday. I think it is stupid. Who cares about story development? In my day I sat down, with a pen & paper, writing from eight a.m. to one p.m. After I finished I gave my work to a publisher and they did they rest.”

“So you think my blog is stupid, because I am posting stories before they are completed. Carlos, you were a unique pre-modern writer. But times are different and I am showing readers, especially young readers, the process of writing. For me it starts with a story outline, then I write a first draft, maybe a second draft. Then I ask for opinions from a critique group. I make changes and send the story to a line editor.”

“So that’s it? You’re a Gringo for sure. Cart before the horse mentality. You’re a writer, you write, the publisher makes sure the story is edited, proof read, and begins to sell and market your book. I know how it works, I have done it many times, very successfully! Have you forgotten, Where the air is clear & The Old Gringo?”

“Carlos, the horse is the story. It is always first. Publishers are, the cart, which all Indie Authors must be on their own. My Blog is the first step in marketing my stories. I explain to the readers the status of each story, as it goes through development. I also write some notes on why I am writing the story.

“So now you’re an Indie writer? Bullshit! Breaking into writing with a new model for Indie writers. Pila de mierda.”

Tranquilo, me amigo! I have a lot of work to do. I have an outline for Story Development.

After I publish my current works in progress, I will post the first paragraphs and pages of each story and a link to the web site to purchase the story or the collection.”

“Gringo, entonces que. Everyone is doing that … I should care!”

“Yes, great philandering Author God! When my next series of stories start. I will post the outlines with the corresponding first draft, later adding critique notes from esteemed Author Gods like you. Next I will post edited versions with more critique notes. Before those stories get published, I will post beta versions for a short time, then publish and start the process all over again.”

“Who gave you this strategy, was it one of my Cuban Author friends?”

“You do not have any Cuban friends, remember? … No great Carlos, it was you. I read about your early writing, always challenging everyone, always trying to be different and irreverent at the same time. You’re last book, is inspiring me to write a novel. My work in progress, will be about the biggest challenge faced in my life, a challenge that many are facing, and suffering through every day. I loved the way you used, sarcasm and knowledge, blending both elements so well together. Pure Artistry!”

“So, my American friend, you’re going to show other aspiring writers the need to have patience and work through the process, not publishing until the process is complete.”

Tu eres correcto! Spoke the old man with both feet in the grave. Now you are catching on, it is a different world out there for writers.

Carlos, do you remember when we met last year? I had just finished reading your book in the hospital, I fell asleep and you came into my room. The book about the starlet you met, while she was filming in Mexico.”

“I was a real dumbass for going with her. Mucho machismo!”

Carlos got up, shaking his head a little, and waved goodbye. He walked south towards Fifth Street and slowly disappeared into the mirage that he walked out of earlier.

END


 

Dedicated to the work of Carlos Fuentes, 1928-2012,

  1. Carlos Fuentes
    Novelist
  2. Carlos Fuentes Macías was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz, Aura, Terra Nostra, The Old Gringo and Christopher Unborn. Wikipedia
  3. BornNovember 11, 1928, Panama City, Panama
  4. DiedMay 15, 2012, Mexico City, Mexico
  5. SpouseSilvia Lemus (m. 1976–2012), Rita Macedo (m. 1959–1973)

© Copyright Artemis J Jones 2014


Artemis J, Jones is a young writer. He described himself as a thought provocateur, writer, and traveler. He lives in Miami Beach, Florida with his wife, Helena, an artist from Medellin Colombia. Artemis writes fiction, urban poetry, short stories. He is a cancer survivor.


 

RUMORS

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Rumors

by Kenneth Harper Finton ©2014

 

Who started that rumor

a man shouldn’t cry?

When he’s done all he can,

tried all he can try?

Who started that rumor

a man shouldn’t cry?

Tears grease the passage

while endings pass by.

 

 

 

 

 

 

 

 

 

DEATH AND THE MAIDEN

by Chloe Thurlow ©2014

The erotic bond between sex and death is deeply-rooted in the human psyche and has been played out in the allegory Death and the Maiden since the beginning of time. The story always follows the same theme: a pretty young girl is seduced by death.

The erotic bond between sex and death is deeply-rooted in the human psyche and has been played out in the allegory Death and the Maiden since the beginning of time. The story always follows the same theme: a pretty young girl is seduced by death. The girl represents purity and fertility. Death is depicted as a horny old man with his last carnal desires.

The first known version of Death and the Maiden appears in The Myth of Hades and Persephone. Persephone, the daughter of Zeus, performs a dance while gathering flowers in a lush garden. She reveals her white breasts as she bends to pick a narcissus. At that moment, the ground opens beneath her feet and she falls into the arms of Hades, who carries her down to the underworld.

Before the Christian era, man and his morals were less tightly bound. Gory death in gladiatorial combat and, for the rich, wine-soaked orgies were the staff of life. Campfire stories of virgins and crucifixions travelled the silk routes from India and Mesopotamia. When the gospel writers came to tell parables of Jesus, Mary and the Holy Ghost, they would have drawn on classical legends to create an account that was both fresh and familiar, the formula designed to woo the pagans into the new church.

During the Middle Ages, the maiden transforms into a virgin and the union between sex and death grows stronger. The iconography changes from the girl dancing with death to the girl having sex with death, the images ever more erotic, the basic premise the same: that young girls should be plucked when ripe like an apple from a tree. The earliest painting of Death and the Maiden is a 1517 work by Niklaus Manuel Deutsch. It shows death as a rotting corpse, its hand brushing the maiden’s sex. As death presses against the girl, she does not resist, but yields to its kiss.

When Schubert in 1824 wrote his String Quartet No.14, I am not sure if he was reminiscing over all the young women he had bedded, or would like to have bedded, but the work became known as Death and the Maiden and has become one of the most popular pieces of music of all time. The Chilean playwright Ariel Dorfman used Schubert’s composition for his production of Death and the Maiden in 1990, the play turned into a movie by Roman Polanski.

The story is set during a violent dictatorship. Political prisoner Paulina Salas is raped by a sadistic doctor whose face she never sees. Years pass and the regime falls. Paulina now lives in a country house with her husband, who returns home one night with a stranger named Dr Miranda. Paulina recognizes the voice of her warder. She takes him prisoner, reversing their roles, and makes audiences feel uncomfortable as they witness her own sexual desires stirred by this messenger of death.

Gabriel García Márquez in his last novel, Memories of My Melancholy Whores, 2005, relates the tale of a man who decides to pay for a final night of love with a virgin on his ninetieth birthday – a new slant in the new world, but still we can picture the white breasts of Persephone as Hades reaches out from the underworld.

Death and the Maiden reminds us in each revival that the sand is racing through the hourglass, youth is fleeting, and death comes for us all. Eat, drink and make love now, this instant, before it is too late. Not bad advice, but the retelling of the story has always been taken up by men who pay scant regard to beauty as a product of character, or love as a mysterious fusion. Their pens are stiffened by visions of the virgin falling for their own mirror image, a foul-smelling old bloke sliding towards the grave.

New times warrant a twist on the theme, Death and the Maiden as Death and the Adonis, perhaps, the slim young deity (played by Justine Bieber?) falling for the Gorgon Medusa with her fearful features and snakes for hair. Now, who shall we cast in that role?

Visit me at chloethurlow.com

 


 

 

Chloe Thurlow is an exciting writer and blogger with many erotic books to her credit. They are all available at amazon.com in print or e-book.

 

 

THE SNOW FIELD

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   The Snow Field

by Mark Scheel  ©2007

 

                         A man said to the universe:
                         “Sir, I exist!”
                         “However,” replied the universe,
                         “The fact has not created in me
                         A sense of obligation.”
                                              — Stephen Crane

 

First one jungle boot, then the other. Slowly, in the blackness. Deliberately. His hands tap the rubber heel against the landing mat, then invert the canvas top. Empty. Both empty, of slitherings and crawlings. From beneath the poncho, turning, he inserts one naked foot, then the other, into the cool, damp leather. Stands. The olive-drab boxer shorts loose about his taut bladder. Then steps. Steps against the wet, resisting tropical air. Out from the dark, sandbagged metal walls into faint morning pinkness. Step. Step. The only sound a distant clanking of an armored tread along the berm. Then a sudden whine. And the white flash. And the ringing in his ears. All at once his shoulder is cold. And again the ringing. The icy cold spreading down his back. And the ringing! And he knows now he’s been hit.

He bolted upright out of the dream. Soft light from the window suffused the bedroom walls, early morning sun reflecting off snow. The comforter had slid partially off the bed and he felt cold. His shoulder ached. Then once again the ringing blasted in his ears—the phone on the letter desk in the adjacent room.

He pushed the sheet back and swung his feet onto the chilly hard-wood. The alarm clock showed 6:45. Rising, he sensed immediately the pressure to urinate. Goosebumps formed on his arms as he walked across the throw rug and out into the dining room. With an urgent persistence the phone rang once more before he could lift the receiver.

“Yeah,” he mumbled, still clearing the fog of sleep from his head.

“Did I wake ya?” his father’s voice asked through the earpiece. There was a worried edge in the old man’s tone.

“That’s okay,” he replied, after a pause.

“Well . . . I got some trouble out here.”

“Trouble? What’s wrong?”

“You know that spotted heifer? Started calving last night. I checked’er this morning and something’s hung up. The calf’s not coming.”

“No?”

“There’s a foot showing. That’s all. An’ I called awhile ago and Doc Grimsley’s outta town.”

“Who? Oh, the vet.”

“And I was wondering . . . when do you teach that class up to the college?”

“What time? Three-thirty.”

“Maybe you oughta come out. I think we’re gonna have to pull that calf.”

“Yeah . . . sounds like it.” He paused, trying to focus everything in his mind. Trying to assess the situation. Then, “How much snow did we get last night?” he asked.

“Well, now. There’s another problem. It ain’t the snow, it’s the ice. It started with freezing rain and we got power lines going down. The electric’s been off here for an hour.”

“Yeah? Well. Okay. Give me a few minutes to eat and shave. I’ll be there.”

“Take it easy on the roads. Don’t know what you’ll run into.”

“Right.”

He replaced the receiver in the cradle and paced back through the bedroom straight into the bathroom. Standing in front of the toilet bowl, he could feel a cold draft drifting up against his naked calves. He washed his hands and threw some water on his face, then stepped back into the bedroom. The dull ache in his shoulder was growing stronger, and he reached up and rubbed the puckered shrapnel scars. Damn, he hated cold air!

* * *

Stepping down off the back porch, his overshoes crunching the icy crust, he was surprised but undeterred by the world that met him. The chill, bright, white silence. The layer of snow like granulated salt topping the ice-glazed landscape. Spirea bushes bowing to the ground. Limbs drooping leadenly from all the trees, some broken and dangling, some lying below. The rays of sunlight keen off the crystals like a laser.

He took a few steps toward the garage. The cold air stung his nostrils. The snow was no more than an inch deep, but the walk beneath was solid ice. Luckily he’d pulled the car in last night.

The old Chevy Bel Air started with no trouble, and he cautiously backed it out into the alley and pulled ahead toward the street, the rear wheels spinning at the slightest overacceleration. As he swung onto Twelfth Street, the car spun out and slid across the lanes, the tires nudging the opposite curb. He muttered to himself, righted the vehicle and edged on ahead. All along the way, the scene was the same—limbs lying broken, overhead lines drooping precariously. At least, he mused, the traffic was sparse.

When he reached the highway heading north, he was relieved to see that it had been plowed. But the glassy ice patches on the blacktop still looked treacherous. He held his speed down to 20 miles per hour. When he came to the steel bridge across the river, he slowed a little and nearly coasted across. It looked as though it had been dipped in clear, shining syrup and dried hard.

He remembered driving this highway every day last summer when the heat had baked the foliage brown and dust-coated the weeds in the ditches. Driving on the way to the nursing home where, standing in the small room by the air conditioner, the cold air freezing the metal in his shoulder, he would look into his mother’s face, hoping to see some remnant there of recognition. Some momentary retrieval of the linkage to “son.” But the quiet process of the malignancy had kept doing its work, honey-combing her memory, appropriating every last familial connection. Until, near the end, in one last mocking gesture, it would leave her a babbling infant, holding out her arms to the white-uniformed aide and crying, “Mama!”

He looked in the rear-view mirror and saw a red pickup truck coming up rapidly. It caught up to him as he reached the first of the rolling hills, then began to tailgate him impatiently.

He slowed further as he approached the next crossroad and signaled right, edging over to allow the truck to pass. It sped by with a roar, fishtailing as it steered back into the right lane, and vanished over the next hill. On these roads he wouldn’t chance that speed on a bet—and in a pickup yet! As he passed the crossroad, he looked both ways and saw the telephone line running beside it had snapped. The snow on the roadway was still unbroken.

He held his speed steady and topped the next rise and there down below was the red pickup, slid rear end first down into the steep ditch. The driver’s door was open and a man in a jean jacket and Levi’s was climbing out. It didn’t appear anyone was hurt. He contemplated the mishap as he drew even with the truck. A heifer in distress, he told himself, should take priority over a damn fool any day. He continued on up the next rise.

* * *

Turning into the barnyard, he spotted his father standing by the corner of the cow shed. He pulled the car up beside the corral, shut off the engine and got out. The black and white heifer stood in the middle of the lot, equidistant from the shed and the perimeter fence, watching the two men suspiciously. Clouds of condensation rose from her nostrils; a single small hoof protruded from beneath her tail.

“Looks like nothing’s changed,” he commented to his father as he walked in and shut the gate.

“We’re gonna have to try an’ rope her, then see what we can do.”

His father lifted the lariat off the fence post and opened out the noose. They began ambling toward the heifer, the frozen crust on the mud cracking and breaking with every step. The heifer tossed her head back and bolted for the opposite fence.

The two men followed, spreading apart, moving methodically. Trying as best they could not to spook her further. The old man held the rope, loop at the ready. “Here bossy. Here bossy,” he coaxed gently. The heifer started and ran down the fence line past them, back toward the shed. They hurried across the snow after her, angling for the far corner.

She ran into the corner by the gate, then spun around to face them. Eyes wide with panic. They caught up and stopped a few yards away. The heifer lowered her head.

“Move up on her slow,” the old man said. “I’ll try to rope’er when she comes out.”

“I think she’s gonna charge.”

“Naw. Move up slow.”

He began moving ahead in a semi-crouch, arms out. The heifer charged. He turned sideways to avoid the blow. Her shoulder caught his chest as she passed. His feet slipped out from under him, and he went down hard in the snow. Lifting himself on one elbow, he saw that his father had dropped the loop over her head, but the force of her motion had jerked the rope from his hands. Now the heifer was running away toward the other end of the corral trailing the lariat in the snow.

He got to his feet. His father was starting to chase after the rope. “Dad! Wait a minute,” he shouted. “The last damn thing you need is a busted hip or a heart attack. Let me.”

The heifer spun around when she reached the far corner, then darted down the fence line past the water tank. As his father tried to follow behind her, he struck out running at an angle he hoped might head her off into the shed.

She followed the fence line out from the corner and broke across in front of the shed. Then turned, just beyond the middle support pole, and retraced her path. He plunged forward and grabbed the trailing rope and got it half-wrapped around the pole before it jerked tight. He dug in his heels against the pull and held it until his father drove her back. She ran into the shed, and he quickly took up the slack and wound it onto the pole. When she ran out on the other side of the support, they had her fast.

More pulling and shoving and maneuvering got her head near the pole, and they tied her there securely. His father brought a second lariat from inside the shed, and, standing one on each side, they began lacing it around the heifer’s midsection and back to her hips. That done, together they pulled on the end, drawing it tighter and tighter against her flanks until the paralyzing squeeze collapsed her legs. And she went down on her side.

“Now, let’s see what we got,” his father said, moving around and squatting by her rear. “Well, judging from the foot, at least it ain’t breech.”

They tied the loose end of the second rope to the small foot, hunkered down in the snow with their feet against the heifer’s rump and began to pull. A sharp pain stabbed down his arm and he caught his breath.

“That shoulder?” his father asked.

“It’s okay.”

After several minutes of effort had yielded few results, his father stood up and dropped the rope. “What we need is a come-along,” he said. “Maybe that old wire-stretcher with the pulleys will work. Get that and the tractor an’ bring’em over.”

He walked over to the shop, fit the drawbar on the tractor, hung the wire-stretcher on the lift lever, and drove the tractor over to the corral. He backed it up behind the heifer, and they rigged the wire-stretcher to the drawbar and the calf. Then his father began to crank the tension. Gradually the calf’s leg extended further. Then a second foot appeared.

“Now we’re gettin’ somewhere,” his father declared.

They transferred the wire-stretcher to the other foot and pulled that leg out. A nose appeared. Next they tied the wire-stretcher to both legs and applied more tension. The heifer had relaxed and was intermittently straining on her own. “If we can just get the head out, we’re halfway home,” his father said. They cranked once more and suddenly the line on the pulleys snapped and the wire-stretcher collapsed in the snow.

“Damn that rotted line,” he said. “And we were getting close.”

“Yeah,” his father replied. “But you smell that stench? That calf’s dead. And been that way awhile.”

“Probably swelling up. Maybe that’s the problem.”

“Well, we’re down to savin’ the heifer now. Gotta make room for that head.”

“How we gonna do that?”

“I saw a vet do this once. I’m gonna try cuttin’ one leg off the calf to give clearance.”

His father took out his pocketknife and opened up a blade. Then he knelt down and worked his fingers into the birth canal, feeling for the shoulder. And with his other hand he inserted the blade and began slicing.

Squatting beside his father, the odor of death in his nose, he studied the old man’s motions. “Don’t cut her,” he cautioned. “And watch your fingers.”

After a few minutes, the leg pulled away, and he took it from his father and placed it to the side.

“Now,” his father said. “I think she’s dilated good enough. We’re gonna have to try an’ use the tractor. You start it up. Go real easy on the clutch. I’ll work down here. We don’t want to tear her rear end out.”

They looped the rope over the drawbar and tied the end to the foot. Then he started the tractor, shifted into low gear and gently eased ahead. The rope went taut. The heifer moaned. “Easy on that clutch!” his father warned. She slid a little in the snow, and his father checked the rope around her neck. “Easy,” his father called out. He edged further ahead. Suddenly the calf’s head emerged, and the shoulders followed and the body, wet and mucus-slippery, slid smoothly from the canal out onto the snow. And there the small, black, lifeless form lay steaming against the white earth.

He shut off the tractor and got down and walked back to where his father stood. “Well, we saved the heifer at least,” he said.

His father took out his red bandanna and wiped his hands. Then he stepped around and loosened the rope from the pole. All at once the heifer shuddered and strained again and began to expel a watery, bloody, fleshy, membranous mass. As they watched, it kept coming, spewing out, almost as large as the calf had been.

“Oh, no!” his father exclaimed.

“What the . . . ? That’s more than afterbirth!”

“The stress was too much. She’s expelled her uterus!”

“Her uterus! Son-of-a-bitch! Now what?”

“We’ll have to put her down.”

“We can’t shove it back in?”

“Naw. She’d get infected. There’s nothin’ more to do.”

He looked at his father and then down at the pool of flesh and at the heifer gasping for air. So, she must have known all along, before they had, what the outcome would be. That she carried the seed of death wrapped in her belly, and no matter how fast and far she ran, there’d be no escape. Still, she fought it to the end.

His father walked to the shop and got the sledge hammer and walked back. He stood, feet apart, by the heifer’s head. “Sorry, bossy,” he said, “we done what we could.” And he raised the sledge hammer high in the air and brought it down hard between her eyes. She jerked and trembled and her tongue flopped out the side of her mouth. A tricklet of blood traced down the white hair of her nose and dropped onto the snow. And she lay still.

* * *

“The dead wagon ain’t gonna come out in this weather,” his father said. “An’ we sure can’t bury her. Guess we might as well drag’er up on the pasture hill and leave’er to the coyotes.”

“That’s the best we can do,” he agreed.

They unwound the ropes and wrapped a log chain around her hind legs and fastened that to the clevis on the drawbar. His father spread a burlap sack across the tractor hood, and they heaved the stillborn calf up onto that and headed out.

Standing on the drawbar behind his father, holding onto the fender, he looked back at the thin trail of blood in the snow. They drove past the feedlot, where the other cows peered out curiously, down the slope and over the creek crossing and back up by the edge of the ice-coated woods. Birthing a calf, he thought to himself, should be a simple thing. Like a new moon or the opening of a flower. But there were times when in a godless universe nature got crosswise with itself. When the intentions of the process all became tangled, and the only way for it to right itself again, to get going straight, was for something to die.

He’d known that was so since that morning years before when he’d parted the vines with the barrel of his M-16 and discovered the dead Viet Cong. Ants were crawling all over the tattered black cloth; the exposed bone was bleached white as polished rice. The back of his head had been blown away, the empty eye sockets staring skyward. And a sprig of green vegetation had taken root, sprouting up out of the gaping mouth toward the sun. Growing as if from a planter.

Nature didn’t entertain pleas. Nature didn’t bargain or compromise. Nature simply took what it needed for the process and moved on. For a long time, he’d known that was so. Yet he still felt a stab of resentment deep in his gut each time he saw it happen again.

When they’d abandoned the carcasses at the crown of the hill and started back down, his father turned half-around and called over his shoulder: “Ya know, it may be awhile before we get the electric back. Maybe you could help me move the old stove in from the woodshed. I can cook off of that if I have to.”

“Yeah. No problem.”

It wasn’t quite noon yet. He had only four student papers left to grade before class. There was still time.

The sun was intense and directly overhead now. They parked the tractor in the shop and walked up the lane toward the house. The ice on the trees had begun to melt and break loose. Crystalline shards were falling beneath the trees like hail, and the snow in the lane was beginning to turn to slush.


 

THE SNOW FIELD  was initially published in a different version in Swill magazine. 

 


 

Mark Scheel was born and raised on a farm in rural, east-central Kansas. After graduating from the University of Kansas in 1967, and spending a period "on the road," he served overseas with the American National Red Cross in Vietnam, Thailand, Germany and England. He later took graduate studies and taught at Emporia State University. More recently he was an information specialist with the Johnson County Library in Shawnee Mission, Kansas. He now writes full time and has served as a volunteer on the editorial staff of Kansas City Voices magazine. His stories, articles and poems have appeared in numerous magazines such as Kansas Quarterly, The Midwest Quarterly, Cincinnati Poetry Review and The Kansas City Star, and he is coauthor of the book OF YOUTH AND THE RIVER: THE MISSISSIPPI ADVENTURE OF RAYMOND KURTZ, SR. His most recent book, A BACKWARD VIEW: STORIES AND POEMS, won the J. Donald Coffin Memorial Book Award from the Kansas Authors Club. He is presently a member of the Kansas Authors Club, National Writers Union and The Writers Place as well as a charter member and officer in 5th Street Irregulars writers group and a former member of the Board of Directors of Whispering Prairie Press, 2005-2006 as well as Library Liaison and member Board of Directors of Potpourri Publications Co., 1991-1995. His bio appears in the Directory of American Poets & Fiction Writers; International Authors and Writers Who’s Who; Two Thousand Notable American Men; Who’s Who in America; Who’s Who in the World and Who’s Who in U.S. Writers, Editors & Poets. He has conducted numerous readings, media appearances and book signings, 1988-present. Selections from his writings appear on gather.comspeakwithoutinterruption.com and skyways.lib.ks.us as well as other Internet sites. 
Web page: http://www.writers.net/writers/7032 - See more at: https://scriggler.com/Profile/mark_scheel#sthash.3WD3W1aN.dpuf

WHAT IS IN THE MIND OF GOD?

Clifford-torus

by Kenneth Harper Finton ©2014

People often say, when they do not know the answer,  “Who knows what is in the mind of God?”

People say that “God knows all.”

Take the common conception of God as a divine being that creates and governs the universe. Then take all the people here on Earth – what they all are thinking, what they all have been, and what they all will be.

Imagine that God knows all that.

Then add all the other conscious forms of life on Earth, the history of the planet and solar system.

Imagine that God knows that as well.

Then realize that the Earth is a small speck of dust in a commonplace galaxy. Remember that there are trillions of stars and billions of galaxies and uncounted billions of planets.

Try to imagine a mind that knows all this.

What would it be like? One thing is certain. It would not be like the human mind. It would be more like consciousness itself.

But would God even have a Self? Is God self-aware?

What need would God have for self awareness?

Humans have self-awareness. Some animals have been shown to have self-awareness. Self-awareness is a curse and a blessing.

It creates loneliness. It creates unhappiness.

If God were self-aware, God would be lonely.

Does God get lonely?

The self only exists when there is another that exists outside. It can only be aware of the self by knowing that there is another outside that is not the self.

If God is everything then what would exist outside God for God to be self-aware?

If God isn’t everything then what is this thing outside that is not God?

What is a mind? What are the makings of a mind? Neural synapses? Connections? Electrical impulses? Fields of energy?

Some would call it a brain, but what use would a brain be for God?

A brain is far too small to hold everything unless it is an infinitely large brain. If God is everything, then God is a brain.

Perhaps we have used the wrong image. Perhaps we should use membrane instead of brain.

Could God be the membrane that binds the electrical impulses––fused, united, linked, and bound together to create thought?

And then the thought creates action?

What is this membrane made of? Electrical fields, atomic and subatomic particles?Quarks and electrons that only have a place in time and space when they are observed?

Are they only mere observations?

If so, then the observation is everything. Observation is what causes the universe to come into being. Observations are the history, the present and the future of all.

Who says that this which observes must be self-aware?

The observer does not need to be consciously self-aware. The world existed before self-awareness. The observer has no need to be self-aware.

So, as far as we can tell––and surely we know little––the universe has only had conscious self-awareness for a minute fraction of an eternal epoch. The universe has gotten along quite well for billions of years without self-awareness.

So do we live in a fraction of an eon when the mud stands up and sees that there are others outside themselves?

And does that matter at all to the mind of God that has no self and no need for a self?

The 10 Biggest Mistakes New Authors Make

Nicholas C. Rossis's avatarNicholas C. Rossis

Cindy Bates is a freelance writer and blogger. She has kindly shared with me this guest post, on some mistakes made by new new authors. Aaand… take it Cindy! 🙂

The 10 Biggest Mistakes New Authors Make

From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books Have you brushed your teeth? Washed your hands? Proofread your book?

New authors are going to make newbie mistakes–it is only natural. But, a lot of them can be avoided by simply reading articles like this one. Most of the mistakes an author makes are ones that he or she can live without. Sure, they are learning experiences, but you can learn them from articles and save yourself a lot of struggling.

1 – Writing to be a success or to earn big money

You think you can take up writing in order to become successful or to earn big money? To quote the fates, “Ha…Ha…Ha…” Fame and success happen by accident. Sure…

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