CAN WE REWRITE THE EARTH (Peut-on réécrire la terre?)

by Jean-Paul Gailbert ©2014

 

Earth-Hour-is-Just-the-Beginning-for-Climate-Change-Action

 

 

 

 

 

 

 

 

 

 

ORIGINALLY IN FRENCH AT:

http://jeanpaulgalibert.wordpress.com/2014/11/11/peut-on-reecrire-la-terre/

Translated (poorly) by:

http://www.microsofttranslator.com/bv.aspx?from=&to=en&a=http%3A%2F%2Fjeanpaulgalibert.wordpress.com%2F2014%2F11%2F11%2Fpeut-on-reecrire-la-terre%2F

 

We have the chance:

in French, we have two words

very beautiful, and, first, quite parallel:

light writing, it is photography,

and the writing of the Earth, we call the geography.

But tell me, how, so far, we wrote the Earth?

Drew on passages

or the borders defined?

We open paths,

or closed doors?

We wrote

the Earth as

a prison

Against the roads and railways, the gates and the walls were multiplied.

And travel and adventure and infinity is disapproval gradually within the borders.

How many wars has been raised by introducing these limits no truce and no end

that the principle of the ownership trace and moves according to the forces and powers?

Then

now

What is important

What is responsible

It is to rewrite the Earth

to write constantly to write endless

a thousand passages that laugh of the walls.

Follow the path of the underground. Out by all issues

Take the roads in all directions. Prefer shortcuts and stop

to prohibit

of the senses.

Take

freedom

wandering and

one of

federate.

All

pathways

will be

good.

Add a whole new meaning to the formula of democracy,

saying ‘a man, a track ‘. Each his way

and for all the meetings,

the thousand and one

passages.

Jean-Paul Galibert's avatarexistences!

Nous avons de la chance :

en français, nous avons deux mots

très beaux, et, d’abord, tout à fait parallèles :

l’écriture de la lumière, c’est la photographie,

et l’écriture de la terre, nous la nommons la géographie.

Mais, dites-moi, comment,jusqu’ici, a-t-on écrit la terre ?

A-t-on tracé des passages

ou défini des frontières ?

A-t-on ouvert des voies,

ou refermé des portes ?

Nous avons écrit

la terre comme

une prison

Contre les routes et les chemins, on a multiplié les barrières et les murailles.

Et le voyage et l’aventure et l’infini s’engluent peu à peu dans les frontières.

Combien de guerres a-t-on déclenché en instaurant ces limites sans trêve ni fin

que le principe de la propriété trace et déplace au gré des forces et des puissances ?

Alors

désormais

ce qui importe,

ce qui nous incombe

c’est de réécrire la terre

d’écrire sans cesse d’écrire sans fin

les mille et un passages qui…

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THE MYSTERY OF FOWLER’S HILL

Ken Finton's avatarKenneth Harper Finton

THE MYSTERY OF FOWLER’S HILL

© 2014 Kenneth Harper Finton

HOUSETake a boy of ten, a pleasant, smudge-faced little boy with dangling arms and freckles spotted rampant on his nose. He is wearing a red and white striped polo shirt––cool enough to eat. Then take a lonely old house on a windswept hill that looks down upon the main street of a small Ohio town like a melancholy illustration from a picture book of horrors. Then add to this an old woman existing in her lonely life by threadbare strands of memory. Lump the scene together. Let is simmer with the passing of time, with clocks that run backwards and a love that ebbs away to pity.

Thirty years ago, I was that boy of ten standing in the mist at the foot of Fowler’s Hill. I was about to earn my first dollar delivering papers on Sunday mornings. My…

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THE SALAD

by Don J. Badwin ©2014

Garbage-Disposal-Tips-To-Prevent-Drain-Cleaning-Tomorrow

 

 

 

 

 

 

 

 

 

 

 

Dark and unkept,
plates stacked, food crusted
jellified globs in cold water,
the kitchen reeked of vodka
and soured food.
Nearly 2 PM
four hungry kids
picking Cheerios
from the powdery crumbles
of a near empty box,
ones diaper wet,
stinking of urine.
The sounds of Another World
and TV channels flipping
from behind the barricade
of mothers bedroom door.
The house is dark,
littered with broken toys,
strewn with dirty clothes…
Mama’s on a bender again.

Gazing into the refrigerator:
one huge pizza box
one frightened, dried up slice of pepperoni
cowers in the corner next to
an empty mayonnaise jar and
Chinese condiments
and a case of Keystone light beer.

I spy with my little eye
a partial head of lettuce,
a few carrots and limp celery
and what is this?
. . . an onion!
. . . and in the door,
hidden on its side
one-third of a bottle
of Ranch dressing.
Score!

Items gathered,
excavating the funk
from the sink
rinsing plates,
gagging at the mess,
. . .if only there were dish soap.
Four sets of hungry eyes
gather at the table
hopeful for salad.

The garbage disposal chugs
violently gargling,
an unseen fork, perhaps
caught in its throat…
in the quake and thunder
mama emerges,
bottle in hand,
hair in disarray,
bathrobe sloppily tied . . .
twisted to one side
and the sour smell of sic
haunting her breath.

I find a stainless blade
ignoring the bottle waving vision
just inside the door ranting. . .
“Whats all this damned noise?”
I extract a mangled fork
from the disposals throat
and wave it as my answer.

“Thats why we can’t have anything nice
around here. . . you just tear it up.”
I am trying to make my salad,
sinking the stainless blade into the lettuce
gouging out the rusty, rotten pieces.
Four pairs of little legs have scattered . . .
refuge from the approaching storm
more compelling than hunger.
Mama’s ranting knows no pause. . .
I flip on the disposal
sending rank, inedible, lettuce bits
into its hungry throat
it gargles and minces
chewing them to smithereens
the noise drowning out
Mamas liquored soliloquy.

The stale, acrid stench of a cigarette,
the clatter of the bottle, now empty
skittering across the floor,
bounces off my heels.
Mama has found a butt in the ashtray
and turned her bottle into a missile
retaliation for the growling disposal
and the hangover pain it brings her.
I am scraping the dirty flesh from carrots
the sharp edge of the stainless
grating down the orange shafts
peeling away the grime.

Mama retrieves a beer from the fridge
then piles back into her chair
sagging over like a discarded sack of meat.
“Your just like your damned father”
I am sending scraped strips
(of carrot) skin
into the disposals throat.
It rumbles and chatters,
drowning out
the rumbling and chatter
of Mama again.

“I need a fu**ing cigarette!”
The chemical smell of burining fiberglass,
Mamas fingers stagger
through mounds of butts and ashes.
I am peeling an onion,
tearing away the layers,
casting the dried skins
into the hungry disposal. . .
Mama keeps grinding,
the disposal keeps churning,
I am trying to make a salad.

Mama is standing, swaying,
bathrobe falling open, coming toward me
ranting, ranting, ranting . . .
beer sloshes onto the kitchen floor . . .
ranting, ranting, ranting.
knife blade, hacking celery . . .
chop! chop! chop!
The smell of Mama’s breath over my shoulder
screaming, yelling, cursing!
the disposal
grinding, chortling, gurgling . . .
drowning out the drunken harpie . .
grinding, growling, gargling . . .
Mama raging, raving, unrelenting
my head spinning, spinning, spinning . . .
salad now all gone!
poured into the hungry throat
the gurgling disposal chewing, chewing, chewing . .  .

. . . and Mama . . . backing away
mouth open gasping
dropped beer spouting foam rolling lazily across the floor . . .
Mama eyes wide open
shrieking . . .

I can’t hear her . . .
the disposal is grinding, grating, gored
and I can feel nothing . . .  I can hear nothing . . .
my lurching arm, shredded hand . . .
the disposal drowns out everything.

I was just trying to make a salad.

 

 


 

 

– See more at: https://scriggler.com/startclub/post/helios/2687?isclubonly=false#sthash.Pr36wHA3.dpuf

 

Born Donald Joe Baldwin Jr. in Pontiac, MI on June 27th, 1967, the son of Barbara Lee Baker of Marshall, MO and Donald Joe Baldwin of Bono, AR. After his parents divorced at the age of two his mother returned to Missouri and married Carl Henry Stone. Donald spent most of his early youth on the gently rolling flood plains of the Blackwater and Missouri Rivers just outside Pilot Grove, MO. The beautiful sprawling corn and wheat fields of central Missouri’s farm belt provide the backdrop for his poem titled: For Cara and Amy Renee and many other of his works. At age 8 following the tragic death of his step-father life abruptly changed. Donald and his family relocated to Marshall, MO where he continued to live and attend school until his graduation from Marshall High School with the class of 1985. Affectionately known as “Joe” or “Donnie” by his friends and family. He currently resides in the Pacific Northwest where he continues to find inspiration.

 

Links to Orpheus is Bleeding – Selected Works by Don J Baldwin
Follow Don J Baldwin on Twitter @orpheusbleeds

SUPPORTING WRITERS AND THEIR WORK

Ken Finton's avatarKenneth Harper Finton

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ANOTHER ONE BITES THE DUST

This month we lost another outlet for writers of short fiction and poetry. Pithy Pages has closed their doors. Writers, of course, need readers but unless readers support the writers by buying their works, contributing to their continued efforts, and commenting on their blog pages, then the accomplished writers will be driven to other ways of communication of will give up their efforts entirely. The publishers at Pithy Pages have gracefully allowed me to reprint their final comments on their short-lived project.

From the Publishers of Pithy Pages For Erudite Readers

This is our last issue  and quite frankly we think it is unfortunate. We have had a wonderful time reading the many, many stories submitted by a wide range of authors. One of the most difficult things any publisher must do is select a few stories for publication from the many received. The authors we have published…

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NIGHT TERROR

by Amy Skelton ©2014

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Just in time for Halloween, a tale of night terrors, black magic, bondage and horror.

 

"O, I have passed a miserable night,
So full of fearful dreams, of ugly sights."
-William Shakespeare

 

Lindsay woke to find herself tied to a chair. Her wrists and ankles were bound with rope that was tied so tightly she couldn’t move. She struggled to free herself but knew it was futile. She looked about her. It seemed to her that she was in an unfinished basement. The walls were bare brick and the floor was cement. It was lit by a single bulb hanging directly above her that gave such a dim light that she could see very little. She could hear no movement, not even a breath stirred in the darkness.

Lindsay called out but there was no answer. She tried struggling again and suddenly a voice boomed out from behind her: “I wouldn’t bother with that if I were you.”

Lindsay started and tried to turn. The chair seemed bolted to the floor. She heard the faint sound of footsteps moving closer. She was still trying to turn, to see who it was, when suddenly the floor fell from around her chair. It fell down into an abyss of blackness and fire soared up from the depths to surround her. Lindsay tried bending her wrists and ankles, frantically trying to free herself, screaming for help.

She was sweating and exhausted when she woke up. Another nightmare shuddered through her body as she dragged herself out of bed. Lindsay didn’t know how much more of this she could take. She had been having these vivid dreams all week and her work was beginning to suffer. She took a long hot shower and sat down at her kitchen table with a cup of coffee. She tried to think of a reason for the nightmares. There must be something going on in her life that would trigger some of the most awful dreams she’d had since childhood.

When Lindsay arrived at work, Diane looked up and said, “Still no sleep? Girl you need to have a stiff drink before bed. That’s what I do. It puts me right to sleep.”

Lindsay replied, “Getting to sleep is not the problem, it’s staying asleep that I’m having trouble with.” She didn’t want to tell Diane about the dreams she’d been having. It seemed ridiculous and childish to be so incapacitated by a few nightmares. She didn’t want anyone to know what she’d been going through so she simply told everyone she was having a bout of insomnia.

It took most of the morning for Lindsay to wake up. Several cups of coffee and a few sugary snacks were required to get her going. Like she had told Diane, she didn’t have a problem going to sleep. She was only dreaming too vividly and struggling too violently. The effort was more tiring than a full day at the office.

After work, Lindsay stopped by the gym. She needed to keep herself grounded somehow and perhaps a vigorous workout would distract her and straighten things out. She signed up for a kick-boxing class that was soon to begin and hurried to her locker to change. The instructor was an enthusiastic, well-built man around Lindsay’s age. She admired his muscular frame and was completely taken in by his soft, sympathetic brown eyes.

He announced that his name was Greg and introduced her and another new person to the group. After a few warm-up exercises, he let the others pair off and approached Lindsay and Tom, the other newcomer.

Tom was a spindly young man with brown hair and a nervous stammer. Greg showed them some moves and watched Lindsay and Tom practice on each other. Lindsay was nervous about hurting Tom. He was smaller than her and looked so young and helpless. She felt she really needed to hold back and that the class would be useless to her if she had to spar with such a partner. She finished the class, though, and when she was about to leave, Greg stopped her. “I could tell you were nervous about hurting that poor kid and I’m sorry for having to pair you up with him. If you would like, I can do some sparring with you in between classes.”

Lindsay declined with thanks. “I’m really too tired for a hard workout anyway. I thought it would help me but I have changed my mind.”

Greg replied, “I can tell you aren’t up to it today, but I hope you’ll join my class again sometime.”

Lindsay smiled to herself as she walked away. Greg certainly was nice to look at.

When she got home, Lindsay put a TV dinner in the oven and collapsed on the couch. She was so tired her eyes felt like sand. She turned on her laptop, checked her emails and downloaded a movie to watch. She didn’t have satellite or cable, feeling that paying for hundreds of channels she didn’t want would be insane, but there was plenty of entertainment available online. After dinner she laid on the couch and watched the movie. Gradually she fell asleep.

Lindsay walked through corridor after corridor of what seemed to be a hospital. It was completely deserted, not a single voice nor the hum of a machine broke the silence. She was wearing nothing but a hospital gown and was becoming scared and cold. Her bare feet made a soft noise on the tiled floor and she could hear the beat of her own heart. It beat faster as she went on.

She began opening doors and calling out, wondering where everyone could be. Lindsay turned down another hallway and saw a strange blue light coming from under one of the doors. She ran to the room and looked in the window. What she saw terrified her. There was a huge room with hundreds of bodies hanging from hooks attached to long rails running the length of the ceiling. The bodies were motionless and the faces were blue with cold. She tried the door and found she couldn’t open it. There was a noise coming from inside the room. It was like the screech of nails on a chalk board but continuous and growing louder. She saw the faces of the bodies change. They were still alive and crying out. “Help, help us!” they screamed.

She pulled and pounded the door with her fist and she heard a booming voice from behind her say: “I wouldn’t bother with that if I were you.”

She whirled around and saw that the corridor behind her was dark. The darkness was palpable. It seemed to reach out to her with wispy tentacles. One of the smoky strands touched her arm.

The living room was dark and the movie was over when Lindsay woke up.

She shivered in the darkness and headed up to bed. She hoped that would be the only dream she had that night. The images bothered her and she was beginning to be terrified to go to sleep. She decided to call her doctor next morning. Perhaps he could refer her to a specialist or something.

Lindsay got into bed. turned on the light and picked up a book. She was reading a light romance novel that would not induce nightmares. She lay on her side and read forseveral hours, not wanting to fall asleep. Lindsay began to yawn. The words were dancing around on the page, so she gave it up and turned out the light.

She stared into the darkness, thinking about the dream she had. She tried hard to reason why. She could think of no situation in her life that could explain why she was experiencing such terrible night terrors.

She soon fell asleep.

Late at night, Lindsay got on a subway, not sure where she was going. She was dressed in her nightgown and it was incredibly hot on the train. She rolled up the sleeves and unfastened the top two buttons. She was completely alone. Lindsay sat in the car as the subway rolled on. It came to a sudden, jolting stop. There was no platform or lights that she could see from the window. It seemed like the subway stopped in the middle of the line for no reason. Suddenly, metallic clasps closed over Lindsay’s wrists and feet. She struggled to free herself to no avail. She pulled as hard as she could and heard a voice in the darkness boom, “I wouldn’t bother with that if I were you.”

Lindsay stopped struggling. She began to have a sense of familiarity with the voice. She took the advice given her and became calm and sat still. The clasps released and the train began to move again.

In some confusion, Lindsay woke. It was ten minutes before her alarm was to go off. She felt great for the first time in a week. She went to work happy and full of energy and her co-workers noticed the change. Diane said, “Finally got a good night’s sleep eh? Glad to see you’re feeling better.”

Lindsay smiled and went to her office. It was a productive day and she was glad to finally get some work done.

*   *   *

Lindsay went to the gym again after work. The kick-boxing instructor, Greg, was not there. She had a nice work-out then went home tired and happy.

She vowed that if she had that dream again she would listen to the voice and everything would be okay. Perhaps she would visit her doctor and show him her records of the dreams she had been having.If she were to see a psychologist. It would be useful to have these things recorded. At least they would know what the dreams were about and they could try to pinpoint their cause. She sat down at her computer and stared at the blank screen. She was surprised that she had remembered her dreams so clearly. She opened up her computer and typed them out what she remembered of the night terrors.

As she went to bed that night, Lindsay was confident she could overcome the nightmares she had been having. She thought that she had figured out what to do and she was, finally, not afraid to go to sleep. She turned out her light and snuggled into the covers and quickly fell asleep.

When Lindsay woke she couldn’t move. She was lying on a bed, her wrists and ankles bound with something soft yet tightly tied. She could smell a slight aroma of incense, probably cinnamon. She could feel a cold draft brushing her skin and suddenly knew that this was no dream.

She started yelling as loud as she could and heard footsteps running toward her. The room where she lay was dimly lit by a candle in a distant corner. She heard a booming voice from the darkness say, “I wouldn’t bother with that if I were you.”

Lindsay stiffened and went silent. How could it be that the same voice from her dream was now here, in reality? She remembered the last nightmare she had. She heeded the advice of the voice and tried to calm herself. Even knowing that this was an entirely different situation, she thought that she might have a chance if she did as she was told. “Who are you?” she asked.

The voice replied, “I am the voice of your nightmares. I am the fear in the darkness. I am your worst dream come true.”

The voice had been silent for some time. Lindsay heard a grinding noise and could smell something metallic.

“What are you going to do to me?” she asked, crying.

There was no reply.

She lay there for some time trying to remember how she had gotten there. She had no idea what to do but she was still trying to think of a means of escape when the voice came back. He said, “There is no use trying to think of a means of escape. There are none. You are mine now.”

She asked again, “What are you going to do to me?”

“I am going to show you what fear really is.” He slashed the bonds from her wrists with a long knife.

Lindsay was still confused, but she remained silent. She was angry with the man for thinking she would be so easily scared by vague, egotistical statements like the ones he was making. She remained lax and unresponsive when he tried to pull her up. She pretended she had fainted and waited for her opportunity to act.

The man carried her to another room and put her on the floor in the middle of a large pentacle drawn on the cement. She was in a basement, like in her first dream. He thought she was unconscious so he didn’t try to restrain her. Lindsay thought, “how stupid can he be?” and lay still.

He began some kind of chant in a strange language she had never before heard.

She opened her eyes and tried to look around without moving her head. There were some things on the floor by her side that she recognized: a piece of clothing, a lock of hair and a bottle containing a tissue with blood.

Now  she knew who the man was. All these things could only have been obtained at the gym.

She remembered having a nose bleed there a week earlier. Greg, her instructor, must have used those parts of her as a kind of black magic spell to infiltrate her dreams, she thought.

Greg was still chanting but he was no longer facing her. There was an altar set up against one wall and his back was to her as he spoke. Lindsay raised herself to her elbows and looked around.

There was a shovel in the area under the stairs. She jumped up and grabbed it, ran over to Greg and hit him over the head as hard as she could. He went down with a crash, jerked twice and was still. Lindsay gathered up all her things, including the clothing, hair and tissues and ran up to the main floor of the house. She bolted out the door and ran down the street.

Greg was not far behind her. He was a fast runner and caught up to her as she was rounding a corner. He grabbed her and pushed her down on the sidewalk and laid on top of her so she couldn’t move. Lindsay was panting hard and her heart was racing but she managed to gasp, “What the hell do you think you’re doing, Greg?”

He smiled down at her and replied, “I wanted you to know fear. I wanted you to be afraid of me.”

She lowered her eyebrows and said, “I don’t need you to show me fear and I am not afraid of you.”

She poked his eye with her finger and when he closed his eyes and let go of her to cover his eye with his hands, she rolled out from under him and got up.

Greg was on his back and she stomped on his crotch as hard as she could. He let out a scream that could been heard from afar. Another man came running from his house, a phone in his hand.

*   *   *

Greg was charged with kidnapping and aggravated assault and was sent to prison for twenty years.

Lindsay knew her nightmares were over. She never had another.


Amy Skelton was born in a small town in Ontario where she lived and grew up until she was old enough to move out on her own.  She had no trouble making good grades in school.  She wrote poems and stories when she was a child, but no one recognized or encouraged her talent until the 12th year of high school when she found an English teacher that was very supportive.

Amy has worked at many different jobs. She found all of them unsatisfying and dull.  She went to a university for a year and did not learn any useful information, so she dropped out. Like many young seekers,  she could not stand the thought of going thousands of dollars into debt for not learning anything that she could not learn on her own.

Amy lives in Ontario with not far from the St. Clair River and Lake Huron. She is a writer of novels, short stories and poetry, specializing in women’s issues and disturbing images.  She is the owner of the website AmysTalesAndPoetry.Weebly.com and the administrator of the Facebook page Amy’s Tales and Poetrythat can be found at www.facebook.com/publishamy.

GEOLOGIC TIME

 

 

 

 

by Erica Sternin ©2014

 

FeaturedImage-Mulch-672x300

 

 
Of little consequence to the speckled stone,
The gardener’s middle aged, possibly late stage, life.
Like a fly, like a gnat, her hummingbird mind
Cannot encompass geologic time.
She tosses the stone from her seedbed.

As volcanic ejecta, the speckled stone was Earth’s first daughter;
bouldered into a streambed
Where a slow moving lover caressed her ceaselessly,
Their intercourse pulverized her, carved a canyon.

Palmed briefly by the gardener, tossed to the verge,
The brief joy of flight recalls her pyroclastic beginnings,
The giddiness of being bladed by a glacier
From her riverlover’s bed to this hillside.

The gardener crouches in the dirt, squinting at errant seedlings.
She tweezes threadlike roots, fine as the hairs sprouting on her own damp chin.
A sudden vertigo, a fatigue, drags her to the ground,
Resting on her loamy pillow, noting the coital tang of water and minerals at the root zone,
The gardener’s weakened breath stirs nearby leaves.
Twining, they reach for her gently,
While the speckled stone looks on from the verge.

 


 

 

 

Erica Sternin is a librarian in Seattle. She has been writing poetry and creative non-fiction since she finished breast cancer treatment in 2012.  Some of her work has been published in Poetry on the Buses, a project of King County Metro, and in One Sentence Poems.

“Unbeing dead isn’t being alive.”
― e.e. Cummings

 

More at: https://scriggler.com/Profile/erica_sternin

WHISPERING DESIRES

by Julia Proud ©2014

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“Come in,” Tamara uttered a bit startled.

The knock had shattered her brief reverie on the passing of time and she found herself grateful for the distraction, even if a little fearful that the company of the one stepping inside her room was not the one she desired.

And her fear became reality as her husband opened the door and entered with his lit ciggy between his thick dry lips and a glint in his eye telling of the few drinks he had probably already had that evening.

He closed the door behind him, smothering the music coming from the gramophone downstairs. It was one of her favorites, Paul Whiteman’s Whispering, a melody she had first heard, in 1920, only two years ago, before she had been married and stuck in Dallas, living with a man she knew nothing about.

Tamara turned around to look at herself in the mirror, trying to hide the disappointed look on her face.

Why couldn’t it have been her maid walking in, asking about dinner, offering little tidbits of gossip from town?

“You look wonderful, dear!” he exclaimed and blew the smoke toward the clear, untainted surface of the mirror, where her reflexion tensed at his approach.

She was seated at a large vanity table, her earrings in hand. She was about to undress and skip dinner that night, as she had been for the past week.

“Why not come downstairs?” he asked and put on a mocking expression of concern as he leaned to brush his cheek against her short golden locks; he then added lowly “Or are you feeling ill again, my dear?”

His gaze was fixed upon Tamara’s reflexion as he pressed his cheek against hers in a tender gesture that made her stomach hurt and her blood rush. So, she avoided his warm brown eyes and kept her head lowered, and her cold blue gaze upon the glittering jewel between her fingers.

“I’m not well. Yes. So, would you mind-”

“Matter of fact I would mind,” he uttered bluntly and took the earrings from her hand, rendering her speechless for the moment.

Couldn’t he just leave her be?

He put her earrings on, slowly and carefully, taking his time, and every touch of his fingertips on her ear lobes made her skin crawl.

Of course, he couldn’t just leave her be – he was her husband and had been so for over two months now. How long could she go on avoiding his company?

The first few weeks had been filled with wonder and a strange feeling of freedom, but only because he had been away on business. Tamara had had the large eight bedroom house to herself and spent most of her days in the large gardens, reading and listening to music – she had the maid bring out the gramophone whenever the weather allowed, and it allowed almost every day.

But once he returned, her reign ended. Even if he spent his days at his Dallas office and came home in the evenings, there was no sense of freedom anymore, not even in listening to her albums, not even in reading her books.

She had refused him her company long enough, it seemed, and Jeremy would have her sit across the table from him and go through all the motions of gentle society conversation, about the weather, about the house, about his work, about whatever he, the man would choose to talk about.

Tamara had been brought up properly, to be a lady, even if she had gone to college, it had been only so she’d be educated enough for her to marry someone with class, of good breeding. Her father clearly had no idea that his little girl hadn’t been so little or a girl for some time.

Her college experience had been very enlightening, in the ways of men and women.

And so her father’s plans to marry her off to a good family, fell flat when she came back from Mount Holyoke College wearing the latest inappropriate fashions and with her hair cut short, like a boy’s.

Tamara had refused every offer for marriage: lawyers, judges a congressman even. But what she never refused was sex. It was all the more exciting if she didn’t know anything about the man.

And so, her reputation started to wither as the years past lowering her chances to marry well, or even marry at all.

But she believed she didn’t care. The man she had loved was lost to her forever and no other would compare to him. So why should she submit and suffer the company of anyone else, someone who she didn’t and wouldn’t ever care for?

Tamara sat at the table and sought to drown her resentment in wine.

She hated wine and she hated being a wife.

The only reason she accepted marrying this man was… Well, it was lost to her – she’d rather not admit to it, not even to a hint of it.

Tamara was just like any other woman, after all. Under the threat of ending up a sad old spinster, she yielded. She was now twenty-five – old enough to know not to trust a man’s words and old enough to understand her own limits. She was not the sort to grow old in the same house as her father, in that small, irrelevant little town. She wasn’t going to waste her youth trapped there, but she was too afraid to take flight, so, she decided she might as well spend the rest of her days in a cage fit for a canary like her, with a wealthy, snazzy man.

They ate and drank, and, as she had expected, the conversation floated from proper subject to proper subject, weaving a sense of civility into an otherwise barbaric situation.

Jeremy Tusk knew full well he had married a stranger for her pedigree and pleasant appearance. He took a nuisance off her father’s hands and, to sweeten the deal, he also opened a few doors in the southern trade for him. She had been sold by one man and bought by another.

The threat of silence set upon the table as they were almost done with the final course and so, she wandered over to the gramophone and revived Paul Whiteman’s Whispering.

Tamara wasn’t a prude, though Jeremy might have believed that. And, even if she would have never admitted to it, she wasn’t avoiding being alone with him out of a reluctance to give herself to him. On the contrary, she knew she wouldn’t be able to resist him – how else was one to vanquish loneliness?

But, she dreaded the idea of intercourse with her husband. It felt as if she would be sealing the deal, approving the trade, agreeing to the contract that had brought him and her together. She knew that, oddly enough, she’d feel cheaper after being with her husband than she had ever felt after being with men whose names she couldn’t even remember.

A giggle escaped her wine tainted red lips and she shrugged in response to Jeremy’s inquisitive gaze.

“Let’s dance,” she heard herself suggest and he obliged with a smirk.

The man knew how to move, and she found she was lost admiring his face.

He kept a thin mustache, like the actors in those moving pictures, and his eyes were beautiful, even if a little tired. With a long face and a straight, well-defined nose, he reminded her of the Portrait of a Poet by Amedeo Modigliani – she loved his works.

The tune came to an end and so did their evening together. She didn’t protest when his hand took hers and when his lips kissed her fingers.

But, despite her expectations, there was no attempt to kiss her, to enter her room or to persuade her to remain in his company longer.

She stood in front of her vanity table staring at her reflexion, puzzled by her husband’s gallantry.

The fact that he didn’t even allude to wanting to spend the night with her bothered Tamara more than she would have liked to admit. Was he actually being coy about sex?

But what irked her, even more, was that she wanted it now, so much so, that she had spent the better part of an hour staring up at the ceiling, in darkness, stuck in a cold large bed, trying to sleep.

So, she dared slip out of her room, wearing nothing but her silk white night gown. Her bare feet took her along the corridor toward his room, only to freeze at the sound of Jeremy’s voice coming from downstairs.

Tamara couldn’t make out what he was saying or even guess who he was speaking to but she assumed it was the maid, or the butler.

She approached the stairs quietly and took a peek in the entrance hall, just over the railing.

Tamara could see Jeremy’s shadow and the one he was now whispering to – a man. Someone she had never seen before, probably an employee from his cotton trading company; he was well dressed and young, maybe not even twenty – perhaps the son of one of his employees, come, in secret, at that late hour, to ask for a job, a favor, a…

They kissed.

She was sure of it. Jeremy had leaned in and kissed the boy on his lips.

No, no, surely this wasn’t what she had seen.

But, as the boy walked backwards toward the front door, seeking to leave, Jeremy kissed him again, this time, for a while longer, deeper and with an embrace.

She didn’t want to believe it, and for a few seconds she just stood there, staring at them. But once the shock faded, Tamara fled in silence, hiding inside her room.

There was outrage, then pure wonder, confusion and then revelation.

Tamara burst into laughter, covering her mouth, and trying to keep her chuckles in check for fear she might be heard.

All her avoiding, worrying and thoughts of self-importance had been for nothing.

Nothing was what it seemed, was it? You’d think that she would have learned that by now.

She continued to laugh under the covers of her cold bed and soon, her low snickers became quiet sobs.

There was nothing left for Tamara but loneliness and, for the first time in years, she had no choice but to feel it and let it swallow her whole.


Julia Proud is an animation artist and a storyteller. She has experience writing movie scripts, which most likely shows in her books by the manner in which she structures her stories and the way she chooses to walk the reader through a scene.

Actions, dialogue, and the characters’ interpretation of the world are important to her.

She is a firm believer that a story’s first job is to entertain, no matter the medium in which it presents itself. But don’t label her writing mindless fun – Julia knows that real entertainment is achieved by engaging the mind and tricking it, even for a moment, into believing that the story and its characters are real.

 
Julia is currently working on expanding the Jazz Noir Collection that she’s recently started with A Dead Man novella. The Jazz Noir universe is comprised of stories set during and around the Prohibition era, in the U.S. and Whispering Desires is part of that universe.

http://juliaproud.com

FROM WHENCE COMETH THE SONG

Ken Finton's avatarKenneth Harper Finton

songs1

 A NOVEL IN PROGRESS

©2014 Kenneth Harper Finton

CHAPTER ONE: THE MARE’S NEST

“When I’m good, I’m very good, but when I’m bad, I’m better.” – Mae West

The child and the boy that Adam used to be was so foreign to him now. Looking over pages that he wrote more, Adam barely recognized his former self as the person who wrote them.

Adam came from a conservative and opinionated small town in rural Ohio. Those who lived in his little town often claimed it was God’s country. Adam supposed that it might good for the spirit to be content and proud of your community. God’s country seemed to be a stretch, though. So many wonderful spots in the world better fit that description.

Life seemed to be so much more idyllic and simple then. Yet, it seems to Adam that this is never the case. Faded memories – the…

View original post 1,946 more words

STORIES FOR GRANDKIDS #1

Ken Finton's avatarKenneth Harper Finton

446px-Doris_Ulmann_-_Southern_mountaineer

Grandpa chewed on the butt end of his cigar as I read him my poem. His eyes rolled a bit beneath the thick wire rimmed glasses and the smoke from the cigar chaffed my nose.

“It’s a good one, son,” he told me, “but it ain’t much to my liking.”

“What do you mean?” I asked.

“Poems were good in my day,” he replied. “You heared a lot of poems back then, The folks who wrote them did not indulge in themselves the way they do now. They didn’t cry over their spilt feelings so much. Your little story is about what you lost out on. Everybody loses out on something or someone. You can’t get through your term on earth less’n you do.”

He placed his cigar on the ashtray that stood on a pedestal near his chair. It raised waves of smoke, then went out.

“They told stories…

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A CONVERSATION WITH CARLOS

carlosfuentes

A Conversation with Carlos

by Artemis J, Jones

Present Day, Miami Beach, Florida

 

Lummus park, always a relaxing place, at the heart of this jewel in the south. You can sit here and enjoy the morning sun, unstressed, while the sounds of a day in the making are created for your ears. Those sounds, la turistas, chatting and the blend of delivery trucks making there rounds to all the restaurants along Ocean Drive. Rollerbladers, most, barely dressed females, streaking by and weaving through the dog walkers and a few homeless lugs on the sidewalk. Later some musicians will appear on the street, playing some rhythms and melodies from transcendent cultures deep in Latin America. The sounds of a Latin Guitar riding on the light breeze from the ocean, perfect!

Far off in the park, there is a mirage and a distant image of a man walking towards me. No one else notices him, disguised in his fedora, and dark glasses. He is holding a rolled up newspaper, probably El Tiempo, or maybe the Herald. He sees me on the bench and points right at me while shaking his newspaper. It is Carlos and he is upset with me. Carlos starts talking, I mean yelling, first.

“Gringo, it was your dumb luck we met in the hospital last year. You’re all alike. Stupid!  Always putting the cart before the horse”

“What are you ranting about now, you old Mexican.”  

“Your blog, I was looking at it yesterday. I think it is stupid. Who cares about story development? In my day I sat down, with a pen & paper, writing from eight a.m. to one p.m. After I finished I gave my work to a publisher and they did they rest.”

“So you think my blog is stupid, because I am posting stories before they are completed. Carlos, you were a unique pre-modern writer. But times are different and I am showing readers, especially young readers, the process of writing. For me it starts with a story outline, then I write a first draft, maybe a second draft. Then I ask for opinions from a critique group. I make changes and send the story to a line editor.”

“So that’s it? You’re a Gringo for sure. Cart before the horse mentality. You’re a writer, you write, the publisher makes sure the story is edited, proof read, and begins to sell and market your book. I know how it works, I have done it many times, very successfully! Have you forgotten, Where the air is clear & The Old Gringo?”

“Carlos, the horse is the story. It is always first. Publishers are, the cart, which all Indie Authors must be on their own. My Blog is the first step in marketing my stories. I explain to the readers the status of each story, as it goes through development. I also write some notes on why I am writing the story.

“So now you’re an Indie writer? Bullshit! Breaking into writing with a new model for Indie writers. Pila de mierda.”

Tranquilo, me amigo! I have a lot of work to do. I have an outline for Story Development.

After I publish my current works in progress, I will post the first paragraphs and pages of each story and a link to the web site to purchase the story or the collection.”

“Gringo, entonces que. Everyone is doing that … I should care!”

“Yes, great philandering Author God! When my next series of stories start. I will post the outlines with the corresponding first draft, later adding critique notes from esteemed Author Gods like you. Next I will post edited versions with more critique notes. Before those stories get published, I will post beta versions for a short time, then publish and start the process all over again.”

“Who gave you this strategy, was it one of my Cuban Author friends?”

“You do not have any Cuban friends, remember? … No great Carlos, it was you. I read about your early writing, always challenging everyone, always trying to be different and irreverent at the same time. You’re last book, is inspiring me to write a novel. My work in progress, will be about the biggest challenge faced in my life, a challenge that many are facing, and suffering through every day. I loved the way you used, sarcasm and knowledge, blending both elements so well together. Pure Artistry!”

“So, my American friend, you’re going to show other aspiring writers the need to have patience and work through the process, not publishing until the process is complete.”

Tu eres correcto! Spoke the old man with both feet in the grave. Now you are catching on, it is a different world out there for writers.

Carlos, do you remember when we met last year? I had just finished reading your book in the hospital, I fell asleep and you came into my room. The book about the starlet you met, while she was filming in Mexico.”

“I was a real dumbass for going with her. Mucho machismo!”

Carlos got up, shaking his head a little, and waved goodbye. He walked south towards Fifth Street and slowly disappeared into the mirage that he walked out of earlier.

END


 

Dedicated to the work of Carlos Fuentes, 1928-2012,

  1. Carlos Fuentes
    Novelist
  2. Carlos Fuentes Macías was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz, Aura, Terra Nostra, The Old Gringo and Christopher Unborn. Wikipedia
  3. BornNovember 11, 1928, Panama City, Panama
  4. DiedMay 15, 2012, Mexico City, Mexico
  5. SpouseSilvia Lemus (m. 1976–2012), Rita Macedo (m. 1959–1973)

© Copyright Artemis J Jones 2014


Artemis J, Jones is a young writer. He described himself as a thought provocateur, writer, and traveler. He lives in Miami Beach, Florida with his wife, Helena, an artist from Medellin Colombia. Artemis writes fiction, urban poetry, short stories. He is a cancer survivor.