CAN WE REWRITE THE EARTH (Peut-on réécrire la terre?)

by Jean-Paul Gailbert ©2014

 

Earth-Hour-is-Just-the-Beginning-for-Climate-Change-Action

 

 

 

 

 

 

 

 

 

 

ORIGINALLY IN FRENCH AT:

http://jeanpaulgalibert.wordpress.com/2014/11/11/peut-on-reecrire-la-terre/

Translated (poorly) by:

http://www.microsofttranslator.com/bv.aspx?from=&to=en&a=http%3A%2F%2Fjeanpaulgalibert.wordpress.com%2F2014%2F11%2F11%2Fpeut-on-reecrire-la-terre%2F

 

We have the chance:

in French, we have two words

very beautiful, and, first, quite parallel:

light writing, it is photography,

and the writing of the Earth, we call the geography.

But tell me, how, so far, we wrote the Earth?

Drew on passages

or the borders defined?

We open paths,

or closed doors?

We wrote

the Earth as

a prison

Against the roads and railways, the gates and the walls were multiplied.

And travel and adventure and infinity is disapproval gradually within the borders.

How many wars has been raised by introducing these limits no truce and no end

that the principle of the ownership trace and moves according to the forces and powers?

Then

now

What is important

What is responsible

It is to rewrite the Earth

to write constantly to write endless

a thousand passages that laugh of the walls.

Follow the path of the underground. Out by all issues

Take the roads in all directions. Prefer shortcuts and stop

to prohibit

of the senses.

Take

freedom

wandering and

one of

federate.

All

pathways

will be

good.

Add a whole new meaning to the formula of democracy,

saying ‘a man, a track ‘. Each his way

and for all the meetings,

the thousand and one

passages.

Jean-Paul Galibert's avatarexistences!

Nous avons de la chance :

en français, nous avons deux mots

très beaux, et, d’abord, tout à fait parallèles :

l’écriture de la lumière, c’est la photographie,

et l’écriture de la terre, nous la nommons la géographie.

Mais, dites-moi, comment,jusqu’ici, a-t-on écrit la terre ?

A-t-on tracé des passages

ou défini des frontières ?

A-t-on ouvert des voies,

ou refermé des portes ?

Nous avons écrit

la terre comme

une prison

Contre les routes et les chemins, on a multiplié les barrières et les murailles.

Et le voyage et l’aventure et l’infini s’engluent peu à peu dans les frontières.

Combien de guerres a-t-on déclenché en instaurant ces limites sans trêve ni fin

que le principe de la propriété trace et déplace au gré des forces et des puissances ?

Alors

désormais

ce qui importe,

ce qui nous incombe

c’est de réécrire la terre

d’écrire sans cesse d’écrire sans fin

les mille et un passages qui…

View original post 69 more words

THE SALAD

by Don J. Badwin ©2014

Garbage-Disposal-Tips-To-Prevent-Drain-Cleaning-Tomorrow

 

 

 

 

 

 

 

 

 

 

 

Dark and unkept,
plates stacked, food crusted
jellified globs in cold water,
the kitchen reeked of vodka
and soured food.
Nearly 2 PM
four hungry kids
picking Cheerios
from the powdery crumbles
of a near empty box,
ones diaper wet,
stinking of urine.
The sounds of Another World
and TV channels flipping
from behind the barricade
of mothers bedroom door.
The house is dark,
littered with broken toys,
strewn with dirty clothes…
Mama’s on a bender again.

Gazing into the refrigerator:
one huge pizza box
one frightened, dried up slice of pepperoni
cowers in the corner next to
an empty mayonnaise jar and
Chinese condiments
and a case of Keystone light beer.

I spy with my little eye
a partial head of lettuce,
a few carrots and limp celery
and what is this?
. . . an onion!
. . . and in the door,
hidden on its side
one-third of a bottle
of Ranch dressing.
Score!

Items gathered,
excavating the funk
from the sink
rinsing plates,
gagging at the mess,
. . .if only there were dish soap.
Four sets of hungry eyes
gather at the table
hopeful for salad.

The garbage disposal chugs
violently gargling,
an unseen fork, perhaps
caught in its throat…
in the quake and thunder
mama emerges,
bottle in hand,
hair in disarray,
bathrobe sloppily tied . . .
twisted to one side
and the sour smell of sic
haunting her breath.

I find a stainless blade
ignoring the bottle waving vision
just inside the door ranting. . .
“Whats all this damned noise?”
I extract a mangled fork
from the disposals throat
and wave it as my answer.

“Thats why we can’t have anything nice
around here. . . you just tear it up.”
I am trying to make my salad,
sinking the stainless blade into the lettuce
gouging out the rusty, rotten pieces.
Four pairs of little legs have scattered . . .
refuge from the approaching storm
more compelling than hunger.
Mama’s ranting knows no pause. . .
I flip on the disposal
sending rank, inedible, lettuce bits
into its hungry throat
it gargles and minces
chewing them to smithereens
the noise drowning out
Mamas liquored soliloquy.

The stale, acrid stench of a cigarette,
the clatter of the bottle, now empty
skittering across the floor,
bounces off my heels.
Mama has found a butt in the ashtray
and turned her bottle into a missile
retaliation for the growling disposal
and the hangover pain it brings her.
I am scraping the dirty flesh from carrots
the sharp edge of the stainless
grating down the orange shafts
peeling away the grime.

Mama retrieves a beer from the fridge
then piles back into her chair
sagging over like a discarded sack of meat.
“Your just like your damned father”
I am sending scraped strips
(of carrot) skin
into the disposals throat.
It rumbles and chatters,
drowning out
the rumbling and chatter
of Mama again.

“I need a fu**ing cigarette!”
The chemical smell of burining fiberglass,
Mamas fingers stagger
through mounds of butts and ashes.
I am peeling an onion,
tearing away the layers,
casting the dried skins
into the hungry disposal. . .
Mama keeps grinding,
the disposal keeps churning,
I am trying to make a salad.

Mama is standing, swaying,
bathrobe falling open, coming toward me
ranting, ranting, ranting . . .
beer sloshes onto the kitchen floor . . .
ranting, ranting, ranting.
knife blade, hacking celery . . .
chop! chop! chop!
The smell of Mama’s breath over my shoulder
screaming, yelling, cursing!
the disposal
grinding, chortling, gurgling . . .
drowning out the drunken harpie . .
grinding, growling, gargling . . .
Mama raging, raving, unrelenting
my head spinning, spinning, spinning . . .
salad now all gone!
poured into the hungry throat
the gurgling disposal chewing, chewing, chewing . .  .

. . . and Mama . . . backing away
mouth open gasping
dropped beer spouting foam rolling lazily across the floor . . .
Mama eyes wide open
shrieking . . .

I can’t hear her . . .
the disposal is grinding, grating, gored
and I can feel nothing . . .  I can hear nothing . . .
my lurching arm, shredded hand . . .
the disposal drowns out everything.

I was just trying to make a salad.

 

 


 

 

– See more at: https://scriggler.com/startclub/post/helios/2687?isclubonly=false#sthash.Pr36wHA3.dpuf

 

Born Donald Joe Baldwin Jr. in Pontiac, MI on June 27th, 1967, the son of Barbara Lee Baker of Marshall, MO and Donald Joe Baldwin of Bono, AR. After his parents divorced at the age of two his mother returned to Missouri and married Carl Henry Stone. Donald spent most of his early youth on the gently rolling flood plains of the Blackwater and Missouri Rivers just outside Pilot Grove, MO. The beautiful sprawling corn and wheat fields of central Missouri’s farm belt provide the backdrop for his poem titled: For Cara and Amy Renee and many other of his works. At age 8 following the tragic death of his step-father life abruptly changed. Donald and his family relocated to Marshall, MO where he continued to live and attend school until his graduation from Marshall High School with the class of 1985. Affectionately known as “Joe” or “Donnie” by his friends and family. He currently resides in the Pacific Northwest where he continues to find inspiration.

 

Links to Orpheus is Bleeding – Selected Works by Don J Baldwin
Follow Don J Baldwin on Twitter @orpheusbleeds

GEOLOGIC TIME

 

 

 

 

by Erica Sternin ©2014

 

FeaturedImage-Mulch-672x300

 

 
Of little consequence to the speckled stone,
The gardener’s middle aged, possibly late stage, life.
Like a fly, like a gnat, her hummingbird mind
Cannot encompass geologic time.
She tosses the stone from her seedbed.

As volcanic ejecta, the speckled stone was Earth’s first daughter;
bouldered into a streambed
Where a slow moving lover caressed her ceaselessly,
Their intercourse pulverized her, carved a canyon.

Palmed briefly by the gardener, tossed to the verge,
The brief joy of flight recalls her pyroclastic beginnings,
The giddiness of being bladed by a glacier
From her riverlover’s bed to this hillside.

The gardener crouches in the dirt, squinting at errant seedlings.
She tweezes threadlike roots, fine as the hairs sprouting on her own damp chin.
A sudden vertigo, a fatigue, drags her to the ground,
Resting on her loamy pillow, noting the coital tang of water and minerals at the root zone,
The gardener’s weakened breath stirs nearby leaves.
Twining, they reach for her gently,
While the speckled stone looks on from the verge.

 


 

 

 

Erica Sternin is a librarian in Seattle. She has been writing poetry and creative non-fiction since she finished breast cancer treatment in 2012.  Some of her work has been published in Poetry on the Buses, a project of King County Metro, and in One Sentence Poems.

“Unbeing dead isn’t being alive.”
― e.e. Cummings

 

More at: https://scriggler.com/Profile/erica_sternin

STORIES FOR GRANDKIDS #1

Ken Finton's avatarKenneth Harper Finton

446px-Doris_Ulmann_-_Southern_mountaineer

Grandpa chewed on the butt end of his cigar as I read him my poem. His eyes rolled a bit beneath the thick wire rimmed glasses and the smoke from the cigar chaffed my nose.

“It’s a good one, son,” he told me, “but it ain’t much to my liking.”

“What do you mean?” I asked.

“Poems were good in my day,” he replied. “You heared a lot of poems back then, The folks who wrote them did not indulge in themselves the way they do now. They didn’t cry over their spilt feelings so much. Your little story is about what you lost out on. Everybody loses out on something or someone. You can’t get through your term on earth less’n you do.”

He placed his cigar on the ashtray that stood on a pedestal near his chair. It raised waves of smoke, then went out.

“They told stories…

View original post 1,110 more words

RUMORS

9a92a03d-1cf8-4e4e-9d55-7067aa7381e4

 

 

 

Rumors

by Kenneth Harper Finton ©2014

 

Who started that rumor

a man shouldn’t cry?

When he’s done all he can,

tried all he can try?

Who started that rumor

a man shouldn’t cry?

Tears grease the passage

while endings pass by.

 

 

 

 

 

 

 

 

 

SHE COULDN’T WAIT

 

by Karen Mc Entegart ©2014
???????????????????????????????????????

She couldn’t wait

to go to bed,

Excited thoughts

filled up her head.

“Oh god,” she moaned.

She’d waited days.

For this great moment,

she’d long prayed.

She placed herself

beneath the sheets,

She felt too high

to get some sleep.

Fresh from the shower,

her body shone.

She lay in wait

for what’s to come.

Nothing on Earth

could this replace

Her breath came  quick,

her heartbeat raced.

Alone at last,

her body shook –

As she turned the page

of her brand new book …


Karen lives in the Canary Islands. You may see more of her work at:

https://scriggler.com/Profile/karen_mc_entegart

Go back

Your message has been sent

Warning
Warning
Warning
Warning

Warning.

The Malevolence of Everyday Things

 

lost-car-keys

The Malevolence of Everyday Things

by J Hardy Carroll ©2014

 

It starts when you drop your keys square on your foot
kick out and send them rattle-clang smack
down the staircase
your arms full of groceries, you lose it

as the bottom of the sack
packed by that lazy pit-faced troglodyte
at the Shop-n-Sav gives way
when the freezer spinach plastic
slick with condensation soaks the corners soggy

lurches from your arms, heavy black bean cans
he stupidly set  atop the bags of frozen stuff
tumble and roll goddamn it and you
went to all the trouble to sort that shit

on the conveyor belt to save time
and every fucking red light in the world
and the AC doesn’t get cold until
you pull up in front of your building and fucking great

the goddamned fucking box of spaghetti
you almost didn’t buy since gluten
goddamn spills out fuck fuck fuck
joins the cans and the keys on a nice trip downstairs
God must fucking hate you fuck fuck fuck

the eggs, of course
are fine. Some kind of lesson, God.
Thanks for that. The flour. on the other hand
drifts in powdered mockery, whiteface
bags of chips, blood, shit, drop your guts like a slit hog right
there in the fucking stairwell

sending you a goddamned message

burn down this joke of a life, it says
one thing and another
all roads lead to Rome

because the God damned Romans built the roads

Follow the keys and the cans and goddamn