WE ARE BREEDING TYRANNY

 

MUST READ ARTICLE ON TRUMP’S GREAT OPPORTUNITY TO BRING TYRANNY TO AMERICA

Democracies end when they are too democratic. -Plato

 

http://nymag.com/daily/intelligencer/2016/04/america-tyranny-donald-trump.html?

As this dystopian election campaign has unfolded, my mind keeps being tugged by a passage in Plato’s Republic. It has unsettled — even surprised — me from the moment I first read it in graduate school. The passage is from the part of the dialogue where Socrates and his friends are talking about the nature of different political systems, how they change over time, and how one can slowly evolve into another. And Socrates seemed pretty clear on one sobering point: that “tyranny is probably established out of no other regime than democracy.”

What did Plato mean by that? Democracy, for him, I discovered, was a political system of maximal freedom and equality, where every lifestyle is allowed and public offices are filled by a lottery. And the longer a democracy lasted, Plato argued, the more democratic it would become. Its freedoms would multiply; its equality spread. Deference to any sort of authority would wither; tolerance of any kind of inequality would come under intense threat; and multiculturalism and sexual freedom would create a city or a country like “a many-colored cloak decorated in all hues.”

This rainbow-flag polity, Plato argues, is, for many people, the fairest of regimes. The freedom in that democracy has to be experienced to be believed — with shame and privilege in particular emerging over time as anathema. But it is inherently unstable. As the authority of elites fades, as Establishment values cede to popular ones, views and identities can become so magnificently diverse as to be mutually uncomprehending. And when all the barriers to equality, formal and informal, have been removed; when everyone is equal; when elites are despised and full license is established to do “whatever one wants,” you arrive at what might be called late-stage democracy. There is no kowtowing to authority here, let alone to political experience or expertise.

The very rich come under attack, as inequality becomes increasingly intolerable. Patriarchy is also dismantled: “We almost forgot to mention the extent of the law of equality and of freedom in the relations of women with men and men with women.” Family hierarchies are inverted: “A father habituates himself to be like his child and fear his sons, and a son habituates himself to be like his father and to have no shame before or fear of his parents.” In classrooms, “as the teacher … is frightened of the pupils and fawns on them, so the students make light of their teachers.” Animals are regarded as equal to humans; the rich mingle freely with the poor in the streets and try to blend in. The foreigner is equal to the citizen.

And it is when a democracy has ripened as fully as this, Plato argues, that a would-be tyrant will often seize his moment.

He is usually of the elite but has a nature in tune with the time — given over to random pleasures and whims, feasting on plenty of food and sex, and reveling in the non-judgment that is democracy’s civil religion. He makes his move by “taking over a particularly obedient mob” and attacking his wealthy peers as corrupt. If not stopped quickly, his appetite for attacking the rich on behalf of the people swells further. He is a traitor to his class — and soon, his elite enemies, shorn of popular legitimacy, find a way to appease him or are forced to flee. Eventually, he stands alone, promising to cut through the paralysis of democratic incoherence. It’s as if he were offering the addled, distracted, and self-indulgent citizens a kind of relief from democracy’s endless choices and insecurities. He rides a backlash to excess—“too much freedom seems to change into nothing but too much slavery” — and offers himself as the personified answer to the internal conflicts of the democratic mess. He pledges, above all, to take on the increasingly despised elites. And as the people thrill to him as a kind of solution, a democracy willingly, even impetuously, repeals itself.

And so, as I chit-chatted over cocktails at a Washington office Christmas party in December, and saw, looming above our heads, the pulsating, angry televised face of Donald Trump on Fox News, I couldn’t help but feel a little nausea permeate my stomach. And as I watched frenzied Trump rallies on C-SPAN in the spring, and saw him lay waste to far more qualified political peers in the debates by simply calling them names, the nausea turned to dread. And when he seemed to condone physical violence as a response to political disagreement, alarm bells started to ring in my head. Plato had planted a gnawing worry in my mind a few decades ago about the intrinsic danger of late-democratic life. It was increasingly hard not to see in Plato’s vision a murky reflection of our own hyper-democratic times and in Trump a demagogic, tyrannical character plucked directly out of one of the first books about politics ever written.

Could it be that the Donald has emerged from the populist circuses of pro wrestling and New York City tabloids, via reality television and Twitter, to prove not just Plato but also James Madison right, that democracies “have ever been spectacles of turbulence and contention … and have in general been as short in their lives as they have been violent in their deaths”? Is he testing democracy’s singular weakness — its susceptibility to the demagogue — by blasting through the firewalls we once had in place to prevent such a person from seizing power? Or am I overreacting?

Perhaps. The nausea comes and goes, and there have been days when the news algorithm has actually reassured me that “peak Trump” has arrived. But it hasn’t gone away, and neither has Trump. In the wake of his most recent primary triumphs, at a time when he is perilously close to winning enough delegates to grab the Republican nomination outright, I think we must confront this dread and be clear about what this election has already revealed about the fragility of our way of life and the threat late-stage democracy is beginning to pose to itself.

Plato, of course, was not clairvoyant. His analysis of how democracy can turn into tyranny is a complex one more keyed toward ancient societies than our own (and contains more wrinkles and eddies than I can summarize here). His disdain for democratic life was fueled in no small part by the fact that a democracy had executed his mentor, Socrates. And he would, I think, have been astonished at how American democracy has been able to thrive with unprecedented stability over the last couple of centuries even as it has brought more and more people into its embrace. It remains, in my view, a miracle of constitutional craftsmanship and cultural resilience. There is no place I would rather live. But it is not immortal, nor should we assume it is immune to the forces that have endangered democracy so many times in human history.

Part of American democracy’s stability is owed to the fact that the Founding Fathers had read their Plato. To guard our democracy from the tyranny of the majority and the passions of the mob, they constructed large, hefty barriers between the popular will and the exercise of power. Voting rights were tightly circumscribed. The president and vice-president were not to be popularly elected but selected by an Electoral College, whose representatives were selected by the various states, often through state legislatures. The Senate’s structure (with two members from every state) was designed to temper the power of the more populous states, and its term of office (six years, compared with two for the House) was designed to cool and restrain temporary populist passions. The Supreme Court, picked by the president and confirmed by the Senate, was the final bulwark against any democratic furies that might percolate up from the House and threaten the Constitution. This separation of powers was designed precisely to create sturdy firewalls against democratic wildfires.

Over the centuries, however, many of these undemocratic rules have been weakened or abolished. The franchise has been extended far beyond propertied white men. The presidency is now effectively elected through popular vote, with the Electoral College almost always reflecting the national democratic will. And these formal democratic advances were accompanied by informal ones, as the culture of democracy slowly took deeper root. For a very long time, only the elites of the political parties came to select their candidates at their quadrennial conventions, with the vote largely restricted to party officials from the various states (and often decided in, yes, smoke-filled rooms in large hotel suites). Beginning in the early 1900s, however, the parties began experimenting with primaries, and after the chaos of the 1968 Democratic convention, today’s far more democratic system became the norm.

Direct democracy didn’t just elect Congress and the president anymore; it expanded the notion of who might be qualified for public office. Once, candidates built a career through experience in elected or Cabinet positions or as military commanders; they were effectively selected by peer review. That elitist sorting mechanism has slowly imploded. In 1940, Wendell Willkie, a businessman with no previous political office, won the Republican nomination for president, pledging to keep America out of war and boasting that his personal wealth inoculated him against corruption: “I will be under obligation to nobody except the people.” He lost badly to Franklin D. Roosevelt, but nonetheless, since then, nonpolitical candidates have proliferated, from Ross Perot and Jesse Jackson, to Steve Forbes and Herman Cain, to this year’s crop of Ben Carson, Carly Fiorina, and, of course, Donald J. Trump. This further widening of our democracy — our increased openness to being led by anyone; indeed, our accelerating preference for outsiders — is now almost complete.

The barriers to the popular will, especially when it comes to choosing our president, are now almost nonexistent. In 2000, George W. Bush lost the popular vote and won the election thanks to Electoral College math and, more egregiously, to a partisan Supreme Court vote. Al Gore’s eventual concession spared the nation a constitutional crisis, but the episode generated widespread unease, not just among Democrats. And this year, the delegate system established by our political parties is also under assault. Trump has argued that the candidate with the most votes should get the Republican nomination, regardless of the rules in place. It now looks as if he won’t even need to win that argument — that he’ll bank enough delegates to secure the nomination uncontested — but he’s won it anyway. Fully half of Americans now believe the traditional nominating system is rigged.

Many contend, of course, that American democracy is actually in retreat, close to being destroyed by the vastly more unequal economy of the last quarter-century and the ability of the very rich to purchase political influence. This is Bernie Sanders’s core critique. But the past few presidential elections have demonstrated that, in fact, money from the ultra-rich has been mostly a dud. Barack Obama, whose 2008 campaign was propelled by small donors and empowered by the internet, blazed the trail of the modern-day insurrectionist, defeating the prohibitive favorite in the Democratic primary and later his Republican opponent (both pillars of their parties’ Establishments and backed by moneyed elites). In 2012, the fund-raising power behind Mitt Romney — avatar of the one percent — failed to dislodge Obama from office. And in this presidential cycle, the breakout candidates of both parties have soared without financial support from the elites. Sanders, who is sustaining his campaign all the way to California on the backs of small donors and large crowds, is, to put it bluntly, a walking refutation of his own argument. Trump, of course, is a largely self-funding billionaire — but like Willkie, he argues that his wealth uniquely enables him to resist the influence of the rich and their lobbyists. Those despairing over the influence of Big Money in American politics must also explain the swift, humiliating demise of Jeb Bush and the struggling Establishment campaign of Hillary Clinton. The evidence suggests that direct democracy, far from being throttled, is actually intensifying its grip on American politics.

None of this is necessarily cause for alarm, even though it would be giving the Founding Fathers palpitations. The emergence of the first black president — unimaginable before our more inclusive democracy — is miraculous, a strengthening, rather than weakening, of the system. The days when party machines just fixed things or rigged elections are mercifully done with. The way in which outsider candidates, from Obama to Trump and Sanders, have brought millions of new people into the electoral process is an unmitigated advance. The inclusion of previously excluded voices helps, rather than impedes, our public deliberation. But it is precisely because of the great accomplishments of our democracy that we should be vigilant about its specific, unique vulnerability: its susceptibility, in stressful times, to the appeal of a shameless demagogue.

What the 21st century added to this picture, it’s now blindingly obvious, was media democracy — in a truly revolutionary form. If late-stage political democracy has taken two centuries to ripen, the media equivalent took around two decades, swiftly erasing almost any elite moderation or control of our democratic discourse. The process had its origins in partisan talk radio at the end of the past century. The rise of the internet — an event so swift and pervasive its political effect is only now beginning to be understood — further democratized every source of information, dramatically expanded each outlet’s readership, and gave everyone a platform. All the old barriers to entry — the cost of print and paper and distribution — crumbled.

So much of this was welcome. I relished it myself in the early aughts, starting a blog and soon reaching as many readers, if not more, as some small magazines do. Fusty old-media institutions, grown fat and lazy, deserved a drubbing. The early independent blogosphere corrected facts, exposed bias, earned scoops. And as the medium matured, and as Facebook and Twitter took hold, everyone became a kind of blogger. In ways no 20th-century journalist would have believed, we all now have our own virtual newspapers on our Facebook newsfeeds and Twitter timelines — picking stories from countless sources and creating a peer-to-peer media almost completely free of editing or interference by elites. This was bound to make politics more fluid. Political organizing — calling a meeting, fomenting a rally to advance a cause — used to be extremely laborious. Now you could bring together a virtual mass movement with a single webpage. It would take you a few seconds.

The web was also uniquely capable of absorbing other forms of media, conflating genres and categories in ways never seen before. The distinction between politics and entertainment became fuzzier; election coverage became even more modeled on sportscasting; your Pornhub jostled right next to your mother’s Facebook page. The web’s algorithms all but removed any editorial judgment, and the effect soon had cable news abandoning even the pretense of asking “Is this relevant?” or “Do we really need to cover this live?” in the rush toward ratings bonanzas. In the end, all these categories were reduced to one thing: traffic, measured far more accurately than any other medium had ever done before.

And what mainly fuels this is precisely what the Founders feared about democratic culture: feeling, emotion, and narcissism, rather than reason, empiricism, and public-spiritedness. Online debates become personal, emotional, and irresolvable almost as soon as they begin. Godwin’s Law — it’s only a matter of time before a comments section brings up Hitler — is a reflection of the collapse of the reasoned deliberation the Founders saw as indispensable to a functioning republic.

Yes, occasional rational points still fly back and forth, but there are dramatically fewer elite arbiters to establish which of those points is actually true or valid or relevant. We have lost authoritative sources for even a common set of facts. And without such common empirical ground, the emotional component of politics becomes inflamed and reason retreats even further. The more emotive the candidate, the more supporters he or she will get.

Politically, we lucked out at first. Obama would never have been nominated for the presidency, let alone elected, if he hadn’t harnessed the power of the web and the charisma of his media celebrity. But he was also, paradoxically, a very elite figure, a former state and U.S. senator, a product of Harvard Law School, and, as it turned out, blessed with a preternaturally rational and calm disposition. So he has masked, temporarily, the real risks in the system that his pioneering campaign revealed. Hence many Democrats’ frustration with him. Those who saw in his campaign the seeds of revolutionary change, who were drawn to him by their own messianic delusions, came to be bitterly disappointed by his governing moderation and pragmatism.

The climate Obama thrived in, however, was also ripe for far less restrained opportunists. In 2008, Sarah Palin emerged as proof that an ardent Republican, branded as an outsider, tailor-made for reality TV, proud of her own ignorance about the world, and reaching an audience directly through online media, could also triumph in this new era. She was, it turned out, a John the Baptist for the true messiah of conservative populism, waiting patiently and strategically for his time to come.

Trump, we now know, had been considering running for president for decades. Those who didn’t see him coming — or kept treating him as a joke — had not yet absorbed the precedents of Obama and Palin or the power of the new wide-open system to change the rules of the political game. Trump was as underrated for all of 2015 as Obama was in 2007 — and for the same reasons. He intuitively grasped the vanishing authority of American political and media elites, and he had long fashioned a public persona perfectly attuned to blast past them.

Despite his immense wealth and inherited privilege, Trump had always cultivated a common touch. He did not hide his wealth in the late-20th century — he flaunted it in a way that connected with the masses. He lived the rich man’s life most working men dreamed of — endless glamour and women, for example — without sacrificing a way of talking about the world that would not be out of place on the construction sites he regularly toured. His was a cult of democratic aspiration. His 1987 book, The Art of the Deal, promised its readers a path to instant success; his appearances on “The Howard Stern Show” cemented his appeal. His friendship with Vince McMahon offered him an early entrée into the world of professional wrestling, with its fusion of sports and fantasy. He was a macho media superstar.

One of the more amazing episodes in Sarah Palin’s early political life, in fact, bears this out. She popped up in the Anchorage Daily News as “a commercial fisherman from Wasilla” on April 3, 1996. Palin had told her husband she was going to Costco but had sneaked into J.C. Penney in Anchorage to see … one Ivana Trump, who, in the wake of her divorce, was touting her branded perfume. “We want to see Ivana,” Palin told the paper, “because we are so desperate in Alaska for any semblance of glamour and culture.”

Trump assiduously cultivated this image and took to reality television as a natural. Each week, for 14 seasons of The Apprentice, he would look someone in the eye and tell them, “You’re fired!” The conversation most humane bosses fear to have with an employee was something Trump clearly relished, and the cruelty became entertainment. In retrospect, it is clear he was training — both himself and his viewers. If you want to understand why a figure so widely disliked nonetheless powers toward the election as if he were approaching a reality-TV-show finale, look no further. His television tactics, as applied to presidential debates, wiped out rivals used to a different game. And all our reality-TV training has conditioned us to hope he’ll win — or at least stay in the game till the final round. In such a shame-free media environment, the assholes often win. In the end, you support them because they’re assholes.

In Eric Hoffer’s classic 1951 tract, The True Believer, he sketches the dynamics of a genuine mass movement. He was thinking of the upheavals in Europe in the first half of the century, but the book remains sobering, especially now. Hoffer’s core insight was to locate the source of all truly mass movements in a collective sense of acute frustration. Not despair, or revolt, or resignation — but frustration simmering with rage. Mass movements, he notes (as did Tocqueville centuries before him), rarely arise when oppression or misery is at its worst (say, 2009); they tend to appear when the worst is behind us but the future seems not so much better (say, 2016). It is when a recovery finally gathers speed and some improvement is tangible but not yet widespread that the anger begins to rise. After the suffering of recession or unemployment, and despite hard work with stagnant or dwindling pay, the future stretches ahead with relief just out of reach. When those who helped create the last recession face no consequences but renewed fabulous wealth, the anger reaches a crescendo.

The deeper, long-term reasons for today’s rage are not hard to find, although many of us elites have shamefully found ourselves able to ignore them. The jobs available to the working class no longer contain the kind of craftsmanship or satisfaction or meaning that can take the sting out of their low and stagnant wages. The once-familiar avenues for socialization — the church, the union hall, the VFW — have become less vibrant and social isolation more common. Global economic forces have pummeled blue-collar workers more relentlessly than almost any other segment of society, forcing them to compete against hundreds of millions of equally skilled workers throughout the planet. No one asked them in the 1990s if this was the future they wanted. And the impact has been more brutal than many economists predicted. No wonder suicide and mortality rates among the white working poor are spiking dramatically.

“It is usually those whose poverty is relatively recent, the ‘new poor,’ who throb with the ferment of frustration,” Hoffer argues. Fundamentalist religion long provided some emotional support for those left behind (for one thing, it invites practitioners to defy the elites as unholy), but its influence has waned as modernity has penetrated almost everything and the great culture wars of the 1990s and 2000s have ended in a rout. The result has been a more diverse mainstream culture — but also, simultaneously, a subculture that is even more alienated and despised, and ever more infuriated and bloody-minded.

This is an age in which a woman might succeed a black man as president, but also one in which a member of the white working class has declining options to make a decent living. This is a time when gay people can be married in 50 states, even as working-class families are hanging by a thread. It’s a period in which we have become far more aware of the historic injustices that still haunt African-Americans and yet we treat the desperate plight of today’s white working ­class as an afterthought. And so late-stage capitalism is creating a righteous, revolutionary anger that late-stage democracy has precious little ability to moderate or constrain — and has actually helped exacerbate.

For the white working class, having had their morals roundly mocked, their religion deemed primitive, and their economic prospects decimated, now find their very gender and race, indeed the very way they talk about reality, described as a kind of problem for the nation to overcome. This is just one aspect of what Trump has masterfully signaled as “political correctness” run amok, or what might be better described as the newly rigid progressive passion for racial and sexual equality of outcome, rather than the liberal aspiration to mere equality of opportunity.

Much of the newly energized left has come to see the white working class not as allies but primarily as bigots, misogynists, racists, and homophobes, thereby condemning those often at the near-bottom rung of the economy to the bottom rung of the culture as well. A struggling white man in the heartland is now told to “check his privilege” by students at Ivy League colleges. Even if you agree that the privilege exists, it’s hard not to empathize with the object of this disdain. These working-class communities, already alienated, hear — how can they not? — the glib and easy dismissals of “white straight men” as the ultimate source of all our woes. They smell the condescension and the broad generalizations about them — all of which would be repellent if directed at racial minorities — and see themselves, in Hoffer’s words, “disinherited and injured by an unjust order of things.”

And so they wait, and they steam, and they lash out. This was part of the emotional force of the tea party: not just the advancement of racial minorities, gays, and women but the simultaneous demonization of the white working-class world, its culture and way of life. Obama never intended this, but he became a symbol to many of this cultural marginalization. The Black Lives Matter left stoked the fires still further; so did the gay left, for whom the word magnanimity seems unknown, even in the wake of stunning successes. And as the tea party swept through Washington in 2010, as its representatives repeatedly held the government budget hostage, threatened the very credit of the U.S., and refused to hold hearings on a Supreme Court nominee, the American political and media Establishment mostly chose to interpret such behavior as something other than unprecedented. But Trump saw what others didn’t, just as Hoffer noted: “The frustrated individual and the true believer make better prognosticators than those who have reason to want the preservation of the status quo.”

Mass movements, Hoffer argues, are distinguished by a “facility for make-believe … credulity, a readiness to attempt the impossible.” What, one wonders, could be more impossible than suddenly vetting every single visitor to the U.S. for traces of Islamic belief? What could be more make-believe than a big, beautiful wall stretching across the entire Mexican border, paid for by the Mexican government? What could be more credulous than arguing that we could pay off our national debt through a global trade war? In a conventional political party, and in a rational political discourse, such ideas would be laughed out of contention, their self-evident impossibility disqualifying them from serious consideration. In the emotional fervor of a democratic mass movement, however, these impossibilities become icons of hope, symbols of a new way of conducting politics. Their very impossibility is their appeal.

But the most powerful engine for such a movement — the thing that gets it off the ground, shapes and solidifies and entrenches it — is always the evocation of hatred. It is, as Hoffer put it, “the most accessible and comprehensive of all unifying elements.” And so Trump launched his campaign by calling undocumented Mexican immigrants a population largely of rapists and murderers. He moved on to Muslims, both at home and abroad. He has now added to these enemies — with sly brilliance — the Republican Establishment itself. And what makes Trump uniquely dangerous in the history of American politics — with far broader national appeal than, say, Huey Long or George Wallace — is his response to all three enemies. It’s the threat of blunt coercion and dominance.

And so after demonizing most undocumented Mexican immigrants, he then vowed to round up and deport all 11 million of them by force. “They have to go” was the typically blunt phrase he used — and somehow people didn’t immediately recognize the monstrous historical echoes. The sheer scale of the police and military operation that this policy would entail boggles the mind. Worse, he emphasized, after the mass murder in San Bernardino, that even the Muslim-Americans you know intimately may turn around and massacre you at any juncture. “There’s something going on,” he declaimed ominously, giving legitimacy to the most hysterical and ugly of human impulses.

To call this fascism doesn’t do justice to fascism. Fascism had, in some measure, an ideology and occasional coherence that Trump utterly lacks. But his movement is clearly fascistic in its demonization of foreigners, its hyping of a threat by a domestic minority (Muslims and Mexicans are the new Jews), its focus on a single supreme leader of what can only be called a cult, and its deep belief in violence and coercion in a democracy that has heretofore relied on debate and persuasion. This is the Weimar aspect of our current moment. Just as the English Civil War ended with a dictatorship under Oliver Cromwell, and the French Revolution gave us Napoleon Bonaparte, and the unstable chaos of Russian democracy yielded to Vladimir Putin, and the most recent burst of Egyptian democracy set the conditions for General el-Sisi’s coup, so our paralyzed, emotional hyper-democracy leads the stumbling, frustrated, angry voter toward the chimerical panacea of Trump.

His response to his third vaunted enemy, the RNC, is also laced with the threat of violence. There will be riots in Cleveland if he doesn’t get his way. The RNC will have “a rough time” if it doesn’t cooperate. “Paul Ryan, I don’t know him well, but I’m sure I’m going to get along great with him,” Trump has said. “And if I don’t? He’s gonna have to pay a big price, okay?” The past month has seen delegates to the Cleveland convention receiving death threats; one of Trump’s hatchet men, Roger Stone, has already threatened to publish the hotel rooms of delegates who refuse to vote for Trump.

And what’s notable about Trump’s supporters is precisely what one would expect from members of a mass movement: their intense loyalty. Trump is their man, however inarticulate they are when explaining why. He’s tough, he’s real, and they’ve got his back, especially when he is attacked by all the people they have come to despise: liberal Democrats and traditional Republicans. At rallies, whenever a protester is hauled out, you can almost sense the rising rage of the collective identity venting itself against a lone dissenter and finding a catharsis of sorts in the brute force a mob can inflict on an individual. Trump tells the crowd he’d like to punch a protester in the face or have him carried out on a stretcher. No modern politician who has come this close to the presidency has championed violence in this way. It would be disqualifying if our hyper­-democracy hadn’t already abolished disqualifications.

And while a critical element of 20th-century fascism — its organized street violence — is missing, you can begin to see it in embryonic form. The phalanx of bodyguards around Trump grows daily; plainclothes bouncers in the crowds have emerged as pseudo-cops to contain the incipient unrest his candidacy will only continue to provoke; supporters have attacked hecklers with sometimes stunning ferocity. Every time Trump legitimizes potential violence by his supporters by saying it comes from a love of country, he sows the seeds for serious civil unrest.

Trump celebrates torture — the one true love of tyrants everywhere — not because it allegedly produces intelligence but because it has a demonstration effect. At his rallies he has recounted the mythical acts of one General John J. Pershing when confronted with an alleged outbreak of Islamist terrorism in the Philippines. Pershing, in Trump’s telling, lines up 50 Muslim prisoners, swishes a series of bullets in the corpses of freshly slaughtered pigs, and orders his men to put those bullets in their rifles and kill 49 of the captured Muslim men. He spares one captive solely so he can go back and tell his friends. End of the terrorism problem.

In some ways, this story contains all the elements of Trump’s core appeal. The vexing problem of tackling jihadist terror? Torture and murder enough terrorists and they will simply go away. The complicated issue of undocumented workers, drawn by jobs many Americans won’t take? Deport every single one of them and build a wall to stop the rest. Fuck political correctness. As one of his supporters told an obtuse reporter at a rally when asked if he supported Trump: “Hell yeah! He’s no-bullshit. All balls. Fuck you all balls. That’s what I’m about.” And therein lies the appeal of tyrants from the beginning of time. Fuck you all balls. Irrationality with muscle.

The racial aspect of this is also unmissable. When the enemy within is Mexican or Muslim, and your ranks are extremely white, you set up a rubric for a racial conflict. And what’s truly terrifying about Trump is that he does not seem to shrink from such a prospect; he relishes it.

For, like all tyrants, he is utterly lacking in self-control. Sleeping a handful of hours a night, impulsively tweeting in the early hours, improvising madly on subjects he knows nothing about, Trump rants and raves as he surfs an entirely reactive media landscape. Once again, Plato had his temperament down: A tyrant is a man “not having control of himself [who] attempts to rule others”; a man flooded with fear and love and passion, while having little or no ability to restrain or moderate them; a “real slave to the greatest fawning,” a man who “throughout his entire life … is full of fear, overflowing with convulsions and pains.” Sound familiar? Trump is as mercurial and as unpredictable and as emotional as the daily Twitter stream. And we are contemplating giving him access to the nuclear codes.

Those who believe that Trump’s ugly, thuggish populism has no chance of ever making it to the White House seem to me to be missing this dynamic. Neo-fascist movements do not advance gradually by persuasion; they first transform the terms of the debate, create a new movement based on untrammeled emotion, take over existing institutions, and then ruthlessly exploit events. And so current poll numbers are only reassuring if you ignore the potential impact of sudden, external events — an economic downturn or a terror attack in a major city in the months before November. I have no doubt, for example, that Trump is sincere in his desire to “cut the head off” ISIS, whatever that can possibly mean. But it remains a fact that the interests of ISIS and the Trump campaign are now perfectly aligned. Fear is always the would-be tyrant’s greatest ally.

And though Trump’s unfavorables are extraordinarily high (around 65 percent), he is already showing signs of changing his tune, pivoting (fitfully) to the more presidential mode he envisages deploying in the general election. I suspect this will, to some fools on the fence, come as a kind of relief, and may open their minds to him once more. Tyrants, like mob bosses, know the value of a smile: Precisely because of the fear he’s already generated, you desperately want to believe in his new warmth. It’s part of the good-cop-bad-cop routine that will be familiar to anyone who has studied the presidency of Vladimir Putin.

With his appeal to his own base locked up, Trump may well also shift to more moderate stances on social issues like abortion (he already wants to amend the GOP platform to a less draconian position) or gay and even transgender rights. He is consistent in his inconsistency, because, for him, winning is what counts. He has had a real case against Ted Cruz — that the senator has no base outside ideological-conservative quarters and is even less likely to win a general election. More potently, Trump has a worryingly strong argument against Clinton herself — or “crooked Hillary,” as he now dubs her.

His proposition is a simple one. Remember James Carville’s core question in the 1992 election: Change versus more of the same? That sentiment once elected Clinton’s husband; it could also elect her opponent this fall. If you like America as it is, vote Clinton. After all, she has been a member of the American political elite for a quarter-century. Clinton, moreover, has shown no ability to inspire or rally anyone but her longtime loyalists. She is lost in the new media and has struggled to put away a 74-year-old socialist who is barely a member of her party. Her own unfavorables are only 11 points lower than Trump’s (far higher than Obama’s, John Kerry’s, or Al Gore’s were at this point in the race), and the more she campaigns, the higher her unfavorables go (including in her own party). She has a Gore problem. The idea of welcoming her into your living room for the next four years can seem, at times, positively masochistic.

It may be that demographics will save us. America is no longer an overwhelmingly white country, and Trump’s signature issue — illegal immigration — is the source of his strength but also of his weakness. Nonetheless, it’s worth noting how polling models have consistently misread the breadth of his support, especially in these past few weeks; he will likely bend over backward to include minorities in his fall campaign; and those convinced he cannot bring a whole new swath of white voters back into the political process should remember 2004, when Karl Rove helped engineer anti-gay-marriage state constitutional amendments that increased conservative voter turnout. All Trump needs is a sliver of minority votes inspired by the new energy of his campaign and the alleged dominance of the Obama coalition could crack (especially without Obama). Throughout the West these past few years, from France to Britain and Germany, the polls have kept missing the power of right-wing insurgency.

Were Trump to win the White House, the defenses against him would be weak. He would likely bring a GOP majority in the House, and Republicans in the Senate would be subjected to almighty popular fury if they stood in his way. The 4-4 stalemate in the Supreme Court would break in Trump’s favor. (In large part, of course, this would be due to the GOP’s unprecedented decision to hold a vacancy open “for the people to decide,” another massive hyper-democratic breach in our constitutional defenses.) And if Trump’s policies are checked by other branches of government, how might he react? Just look at his response to the rules of the GOP nomination process. He’s not interested in rules. And he barely understands the Constitution. In one revealing moment earlier this year, when asked what he would do if the military refused to obey an illegal order to torture a prisoner, Trump simply insisted that the man would obey: “They won’t refuse. They’re not going to refuse, believe me.” He later amended his remark, but it speaks volumes about his approach to power. Dick Cheney gave illegal orders to torture prisoners and coerced White House lawyers to cook up absurd “legal” defenses. Trump would make Cheney’s embrace of the dark side and untrammeled executive power look unambitious.

In his 1935 novel, It Can’t Happen Here, Sinclair Lewis wrote a counterfactual about what would happen if fascism as it was then spreading across Europe were to triumph in America. It’s not a good novel, but it remains a resonant one. The imagined American fascist leader — a senator called Buzz Windrip — is a “Professional Common Man … But he was the Common Man ­twenty-times-magnified by his oratory, so that while the other Commoners could understand his every purpose, which was exactly the same as their own, they saw him towering among them, and they raised hands to him in worship.”

He “was vulgar, almost illiterate, a public liar easily detected, and in his ‘ideas’ almost idiotic.”

“ ‘I know the Press only too well,’ ” Windrip opines at one point.

“ ‘Almost all editors hide away in spider-dens, men without thought of Family or Public Interest … plotting how they can put over their lies, and advance their own positions and fill their greedy pocketbooks.’ ”

He is obsessed with the balance of trade and promises instant economic success: “ ‘I shall not be content till this country can produce every single thing we need … We shall have such a balance of trade as will go far to carry out my often-criticized yet completely sound idea of from $3000 to $5000 per year for every single family.’ ”

However fantastical and empty his promises, he nonetheless mesmerizes the party faithful at the nominating convention (held in Cleveland!): “Something in the intensity with which Windrip looked at his audience, looked at all of them, his glance slowly taking them in from the highest-perched seat to the nearest, convinced them that he was talking to each individual, directly and solely; that he wanted to take each of them into his heart; that he was telling them the truths, the imperious and dangerous facts, that had been hidden from them.”

And all the elites who stood in his way? Crippled by their own failures, demoralized by their crumbling stature, they first mock and then cave. As one lone journalist laments before the election (he finds himself in a concentration camp afterward): “I’ve got to keep remembering … that Windrip is only the lightest cork on the whirlpool. He didn’t plot all this thing. With all the justified discontent there is against the smart politicians and the Plush Horses of Plutocracy — oh, if it hadn’t been one Windrip, it’d been another … We had it coming, we Respectables.”

And, 81 years later, many of us did. An American elite that has presided over massive and increasing public debt, that failed to prevent 9/11, that chose a disastrous war in the Middle East, that allowed financial markets to nearly destroy the global economy, and that is now so bitterly divided the Congress is effectively moot in a constitutional democracy: “We Respectables” deserve a comeuppance. The vital and valid lesson of the Trump phenomenon is that if the elites cannot govern by compromise, someone outside will eventually try to govern by popular passion and brute force.

But elites still matter in a democracy. They matter not because they are democracy’s enemy but because they provide the critical ingredient to save democracy from itself. The political Establishment may be battered and demoralized, deferential to the algorithms of the web and to the monosyllables of a gifted demagogue, but this is not the time to give up on America’s near-unique and stabilizing blend of democracy and elite responsibility. The country has endured far harsher times than the present without succumbing to rank demagoguery; it avoided the fascism that destroyed Europe; it has channeled extraordinary outpourings of democratic energy into constitutional order. It seems shocking to argue that we need elites in this democratic age — especially with vast inequalities of wealth and elite failures all around us. But we need them precisely to protect this precious democracy from its own destabilizing excesses.

And so those Democrats who are gleefully predicting a Clinton landslide in November need to both check their complacency and understand that the Trump question really isn’t a cause for partisan Schadenfreude anymore. It’s much more dangerous than that. Those still backing the demagogue of the left, Bernie Sanders, might want to reflect that their critique of Clinton’s experience and expertise — and their facile conflation of that with corruption — is only playing into Trump’s hands. That it will fall to Clinton to temper her party’s ambitions will be uncomfortable to watch, since her willingness to compromise and equivocate is precisely what many Americans find so distrustful. And yet she may soon be all we have left to counter the threat. She needs to grasp the lethality of her foe, moderate the kind of identity politics that unwittingly empowers him, make an unapologetic case that experience and moderation are not vices, address much more directly the anxieties of the white working class—and Democrats must listen.

More to the point, those Republicans desperately trying to use the long-standing rules of their own nominating process to thwart this monster deserve our passionate support, not our disdain. This is not the moment to remind them that they partly brought this on themselves. This is a moment to offer solidarity, especially as the odds are increasingly stacked against them. Ted Cruz and John Kasich faced their decisive battle in Indiana on May 3. It was the bitter end. The Republican delegates who are trying to protect their party from the whims of an outsider demagogue are, at this moment, doing what they ought to be doing to prevent civil and racial unrest, an international conflict, and a constitutional crisis. These GOP elites have every right to deploy whatever rules or procedural roadblocks they can muster, and they should refuse to be intimidated.

And if they fail in Indiana or Cleveland, as they likely will, they need, quite simply, to disown their party’s candidate. They should resist any temptation to loyally back the nominee or to sit this election out. They must take the fight to Trump at every opportunity, unite with Democrats and Independents against him, and be prepared to sacrifice one election in order to save their party and their country.

For Trump is not just a wacky politician of the far right, or a riveting television spectacle, or a Twitter phenom and bizarre working-class hero. He is not just another candidate to be parsed and analyzed by TV pundits in the same breath as all the others. In terms of our liberal democracy and constitutional order, Trump is an extinction-level event. It’s long past time we started treating him as such.

*This article appeared in the May 2, 2016 issue of New York Magazine.

Certain People

 

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Commentator Frank Deford advises the White House press office not to let the president be photographed in a golf cart again.

by Richard Jones

My father lives by the ocean
and drinks his morning coffee
in the full sun on his deck,
talking to anyone
who walks by on the beach.
And in the afternoons he works
part-time at the golf course—
sailing the fairways like sea captain
in a white golf cart.
My father must talk
to a hundred people a day,
yet we haven’t spoken in weeks.
As I get older, we hardly speak at all.
It’s as if he were a stranger
and we had never met.
I wonder, if I
were a tourist on the beach
or a golfer lost in woods
and met him now for the very first time,
what we’d say to each other,
how his hand would feel in mine
as we introduced ourselves,
and if, as is the case
with certain people, I’d feel,
when I looked him in the eye,
I’d known him all my life.


“Certain People” by Richard Jones from Country of Air. © Copper Canyon Press, 1986. Reprinted with permission.   (buy now).

THE MOST FUNCTIONAL ENGLISH WORD

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from Rose.Aspinall@ficombc.ca

Well, it’s shit. That’s right, shit!

Shit may just be the most functional word in the English language.  You can smoke shit, buy shit, sell shit, lose shit, find shit, forget shit,  and tell others to eat shit.
Some people know their shit, while others can’t tell the difference between shit and shineola.

There are lucky shits, dumb shits, and crazy shits.  There is bull shit, horse shit, and chicken shit. You can throw shit, sling shit, catch shit, shoot the shit, or duck when the shit hits the fan.

You can give a shit or serve shit on a shingle.

You can find yourself in deep shit or be happier than a pig in shit.

Some days are colder than shit, some days are hotter than shit, and some days are just plain shitty. Some music sounds like shit, things can look like shit, and there are times when you feel like shit.

You can have too much shit, not enough shit, the right shit, the wrong shit or a lot of weird shit. You can carry shit, have a mountain of shit, or find yourself up shit creek without a paddle. Sometimes everything you touch turns to shit and other times you fall in a bucket of shit and come out smelling like a rose.

When you stop to consider all the facts, it’s the basic building block of the English language. And remember, once you know your shit, you don’t need to know anything else!!

You could pass this along, if you give a shit; or not do so if you don’t give a shit!

 

 

 

The Cupcake Generation

Imagine what will happen when today’s kids grow up and realize they really aren’t all that special

By Jayne Jacova Feld
Unknown
TOP DEFINITION
spoiled snowflakes who’ve been sheltered their entire lives and have no notion of personal responsibility. Everyone gets a trophy, everyone gets an award! Generation cupcake can’t do wrong. Blame society, not the kids!
by Chefj August 15, 2015

CUPCAKE means “Soft, loving person”


 

In today’s world, it’s entirely possible for kids to reach adulthood without realizing they’re not amazing at everything they attempt to do. Consider how, in recreational sports, players “earn” trophies for showing up. At classroom awards ceremonies, students are awarded certificates for being the most talented at something, or if not that, for trying really hard. Somewhere along the way, parents decided that because everybody was just so special, everybody should get a proverbial cupcake.
Then there’s the trend toward “cooperative” recess and gym games. Gone from many schools are dodgeball-like elimination games. With the competition out of the picture, everybody wins.
 

In the academic world, the cupcake is the A. While not so long ago, C+ was the average grade for college-level classes, A’s are the new normal. The first letter of the alphabet comprises 43 percent of all letter grades, according to published reports.

It’s as if we’re afraid that if our kids were to hear the truth – they’re not the best soccer player this side of the Delaware and their report on Jersey tomatoes will not become a “New York Times” bestseller – their egos will be too damaged for them to go on. But are all the trophies and accolades working? It’s a question that more and more parents ask as their kids come home pumped up with high grades, participation trophies, and the idea that life will always be easy breezy.

For Medford mother Trisanne Vricella, her 12-year-old daughter’s steady stream of straight A’s this year is a cause for both celebration and concern.

“She gets straight A’s but she’s in seventh grade and has trouble telling time,” says Vricella, mother of three. “What does that say?”

The cupcake mentality is well-intentioned: in an increasingly complex, competitive and unfair world, it’s an attempt to boost self-esteem and to cushion our children from some of the harsher realities of modern living. While there are many situations in which “everybody wins” is a sensible policy, experts say cupcake overkill can backfire when we shield children from all forms of failure. As they see it, cupcakes feed into a larger trend in modern culture toward over-protectionism.

Moreover, it may seem counter-intuitive, but when children expect or anticipate rewards, it can compromise their performance. Rewards can even kill creativity because they discourage risk-taking, according to several American and Israeli studies. When children are hooked on getting a reward or extreme praise, they tend to avoid challenges and instead play it safe to avoid the possibility of failure.

Failure may sound, well, negative. But shielding children from disappointment can prevent them from building resilience and developing the skills necessary to cope with the complexities of life, says Lenore Skenazy, author of “Free-Range Kids,” which espouses giving children more unsupervised freedom.

“It’s a big lie that everything our kids do is fantastic,” says Skenazy, a nationally syndicated columnist who was relieved when her own son figured out he had no talent for bowling despite his eighth-place trophy in fifth-grade. “We’re treating children as if they were undeveloped, literally fragile and emotionally fragile beings who can’t realize they’re bad at some things.”

As she sees it, “everybody wins” is a by-product of the intensive parenting or helicopter movement. Driven by the marketplace of baby and kid products – from toddler knee pads to gym classes promoting movement “in a safe environment” – parents’ belief that kids will be okay if left to figure things out themselves is undermined. The message is that children cannot learn by observing, self-discovery or by making mistakes. They have to be managed – lest they fall behind.

“Along with this disbelief that things will kick in automatically, parents no longer believe children will bounce back from frustration and failure,” she says. “We’re so worried about their sense of self-worth, self-confidence and self-esteem that we think we have to goose everything with an absurd prize.”

In the academic world, parents have become gradually more involved in their teens’ educational and social decision-making processes over the past 20 years; however, 9/11 was perhaps the biggest catalyst leading to “extreme protectionism,” says James Riordan, director of guidance for Cherry Hill schools. The widespread use of cell phones has also fed into this shift. While some of today’s demands from over-protective parents would not have been taken seriously just a few decades ago, educators have changed to accommodate the demands of this more intensive style of parenting.

Among the biggest shifts has been in the college application process – for both the better and worse, says Riordan. With the skyrocketing price of college, the sacrifices families make to pay the bill and the difficulties new graduates have finding jobs, parents are encouraged to play a greater role in the college search. However, it is not unusual nowadays for adults to all but take the decision away from their children. Some pay thousands of dollars for private SAT tutoring, and expert application and essay review, plus they often insist that guidance counselors process applications to as many as 30 colleges, he says.

“When a parent comes in and wants to go through all this, we do it – even if we know the parent has set the whole thing up, and even if the student says ‘I don’t know what colleges I’m applying to,’” Riordan adds.

One of the ways Cherry Hill high schools attempt to help teenagers build resilience is through leadership training, says Riordan. All freshmen go through a program to develop individualized academic and personal goals. The hope is that students will gain skills and confidence to make their own decisions.

“Will it stop over-parenting? Probably not,” he says. “We hope it will give students additional skills they can use and apply to life along the way.”

Riordan says another new trend is the increasingly common, almost knee-jerk reaction some students and their parents have to less-than-satisfactory results on exams and tests. In a not-so-distant past, a teenager would get a test or paper back in a class and have time to reflect upon the grade before reporting it (or not) to their parents.

In cases when a child felt the results deserved a second look, parents would often leave it up to the child to take it up with the teacher. Nowadays, many students immediately text results to mom or dad. Within minutes, parents call the school demanding explanations for a bad grade.

“We feel as parents we have the skills in order to make life better for our children,” says Riordan. “But by doing so much for them, we’re depriving our children of skills they should be developing by themselves.”

Still, not everyone equates “cupcakes” with over-protectionism, especially when used to motivate young children.

“I think folks make too big a deal about young kids receiving trophies,” says Dr. Stefan Dombrowski, director of the Rider University School Psychology Program and Cherry Hill father of two.  “It’s not going to make our kids soft, lazy, uncompetitive or unmotivated. Young kids like getting a trophy in the same way they like receiving a sticker or stamp at school for putting forth effort.”

By grade two, he notes, children generally know the top teams and players despite grown-ups’ attempts to put on an “everyone’s a winner” game face.

And for some, with lingering childhood memories of being on the wrong side of competitive situations, cupcakes have their place. Many years later, Marlton mother Marla Feldman Vecchio recalls the star incentive system her second-grade teacher used to dole out prizes. Month after month, the same three kids won the prize.

“What was the point of trying, we knew we weren’t going to get the prize,” says Feldman Vecchio, a former third-grade teacher in Cherry Hill and mother of three.

Still, she says, the kinder, gentler approach only works up to a point. Children need honest appraisals of their skills and the chance to experience their own failures or they will have trouble gaining independence.

“I tell my kids that life is going to be disappointing sometimes, and they have to accept that and just do their best,” she says. “You have to let them get hurt and feel disappointment.”

While even the most well-intentioned parent has trouble letting their children knowingly walk into failure, those who have let their kids feel some pain say the experience can be invaluable.

When Cherry Hill mom Sharmila Simms’ son Aidan, now 10, came home from school last year with a C on a science test, he was devastated. Normally a straight-A student, Aidan implored his mom to call the teacher and ask for a retake. It was obvious to Simms her son had not prepared for the exam. His answer had missed the point of the question and was not well thought out.

“Our kids are under the impression that if they show up and are breathing, they deserve an A,” she says. “It was hard for him but I refused to fix it for him, and it never happened again. It never will happen again. The lesson was learned.”

Realizing how hard it is for kids to lose, some educators are taking it upon themselves to teach the art of graceful losing. Due to her students’ frequent outbursts from unfavorable game outcomes, Diana Morris, a special education teacher in Cherry Hill, says she started modeling more acceptable reactions to losing a turn or a game, like saying “aww shucks.” Her students found the phrase so funny that it helped take the edge out of losing turns or even the whole game.

“The best was the last time we played an adjective game,” recalls Morris, who teaches first and second grade students at Horace Mann Elementary School. “I landed on ‘lose a turn’ five times in a row. I acted overly silly about it, saying (phrases like) ‘Oh my goodness! Not again! Better luck next time.’ They were laughing and then when they landed on it themselves, it only seemed silly to them.

“The thrill of playing the game,” she adds, “is beginning to take over the desire to win all the time.”

Life Alert Necklaces and the Dinosaur

by Lee Ann Bledsoe

Unknown

CAMERA FOCUSES in on an old woman sprawled on her living room floor.

“Help me! Help me!” she cries. “I’ve fallen and I can’t get up.” Camera zooms in to capture the woman’s tear-stained face. She looks needy and helpless as she grovels on the floor. For God’s sake, I think, put her down! Euthanazia. A club. Find a zombie. Anything to get the whining to stop!

CAMERA PANS the room and captures the terrified faces of two young children as they run to grandma’s side. “Grandma, grandma, are you okay?” the youngest one cries.

Grandma repeats: “Help me! Help, me! I’ve fallen and I can’t get up!” The kids already know she’s fallen; grandma’s on the fucking floor for God’s sake! Evidently the old woman wants her grandkids traumatized for life as well as terrified in this moment.

Then a compassionate, soothing voice begins the sales pitch: “Life Alert necklaces … blah, blah, blah.”

I absolutely DETEST commercials that prey on our fears to sell stuff. So can you imagine how pissed I am that I’m probably going to have to buy a device that advertises to the world I’m so old and feeble I need a team of experts to help me survive my next fall?

I fell tonight. Two of my great grandkids were with me: Chrissy is three and James Mervin is 18 months. I tripped over Fancy Puzzles, a cat who lives with me but belongs to someone else. (Fancy’s another story.) Anyway, Chrissie was terrified. She panicked and screamed, then cried for 30 minutes. I felt horrible for scaring her so badly. And I wasn’t even hurt.

My three great grandkids spend a lot of time ay my house but the youngest two are with me five days a week. I don’t mean to brag–or maybe I do–but I am the best great grandmother on the planet. What would happen if I had hurt myself? What would happen if I had a stroke? No neighbor’s house to run to; all the houses around me sit empty nine or 10 months of the year. My internet and phone (a landline) are out as much as on during the stormy season.

Maybe I should get another cell phone? I have seven or eight of the damn things now, sitting in the bottom drawer of my desk. My kids and grandkids keep buying them for me. I’m always grateful for the new device; absolutely thrilled to own a gadget that would allow everyone  in the world to reach me, anytime of the day or night, anywhere I might happen to be. I can’t imagine anything more intrusive. How do people stand it? Nevertheless, I thank the kids sweetly, play around with the latest phone until the battery dies, and then add it to my growing collection. But I might have to reconsider; can a three-year-old kid use a cell phone? Or should I order one of those Life Alert necklaces? At this point in my life, I’d rather fitted for Depends.

Why couldn’t the commercial have the old woman climbing a ladder, preparing to clean her gutters? I do that twice a year. She could fondle the necklace, look squarely into the camera and say in a strong voice: “This will come in handy if I fuck this up.”

I could buy into a commercial like that.


 

– See more at: https://scriggler.com/DetailPost/Opinion/25339#sthash.86EPv6x9.dpuf

https://scriggler.com/Profile/lee_aronson_lee_ann_bledsoe


 

Lee Ann Bledsoe says: “I was a fairly successful professional writer 100 years ago working as a columnist for “The Oregonian” and “The Columbian,” writing humorous verse for several greeting card companies, and freelancing for “Alcoholism” and “Health” magazines. Went back to school to earn a degree in fine arts, got sidetracked and ended up graduating four years later with a masters in sociology. For the next three decades I worked in community mental health, specializing in the DMIO (“dangerously mentally ill offender”) population. Fun group. One of those guys took a real dislike to me in May of 2011, effectively ending my career and the bleeding heart phase of my life. I’m extremely grateful he didn’t end me, as well. Now I’m writing again. I’ve just finished “The Unlikely Survivalist,” the first book in a three book series. Other than that, I hate liver–even smothered in onions–love dogs, gardening without gloves, reading and writing.”

Hans Christian Andersen

 

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THE WRITER’S ALMANAC

Saturday, Apr. 2, 2016

 

Today is the birthday of Hans Christian Andersen (books by this author), born in Odense, Denmark (1805). He was the only son of a shoemaker who used to tell him stories from Arabian Nights. His mother was an illiterate washerwoman who was widowed when her son was 11. When Andersen was 14, he told his mother that he wanted to go to Copenhagen. When she asked what he intended to do there, he said, “I’ll become famous! First you suffer cruelly, and then you become famous.”

He intended to find his fame on the stage. He even found a patron, Jonas Collin, who was the director of the Royal Danish Theatre. But Andersen was tall and gawky, and people used to laugh at his attempts to sing and dance; he also experienced poverty worse even than he had known in Odense. He felt like an outsider. These feelings were reinforced when he finally went back to school at Collin’s urging. Andersen was a country boy not used to life in the capital city, he was much older than the other students, and he was a mediocre student at best; his schoolmaster used to pick on him mercilessly. He finally graduated from the University of Copenhagen in 1828, and he published his first story in 1829. It was called “A Journey on Foot from Holmen’s Canal to the East Point of Amager,” and it was a success. His writing career was launched.

Andersen followed up that first story with volumes of poetry, plays, autobiographical novels, and travelogues. He published his first collection of fairy tales in 1835, but still continued writing for adults. Although his novels did well, his fairy tales were overlooked at first, and it wasn’t until an English translation was published in 1845 that they became popular. Andersen gave us “The Princess and the Pea,” “The Emperor’s New Clothes,” “The Ugly Duckling,” and “The Little Match Girl,” among many others – more than 150 fairy tales in all.

With his literary success came the fame and acceptance that Andersen had always wanted. He traveled extensively around Europe, rubbing elbows with fellow writers like Robert and Elizabeth Barrett Browning, Alexandre Dumas, Victor Hugo, and Henrik Ibsen. In England, he met Charles Dickens, whose work he admired. The two men shared a concern for the less fortunate members of society, and had both grown up without money, and they became friends.

In 2012, a Danish historian came across a previously unknown Andersen fairy tale in the bottom of a storage box in the national archive. The story is called “The Tallow Candle,” and it’s about a lonely candle that feels misunderstood and unappreciated until it is finally recognized by a tinderbox. Andersen wrote it when he was a teenager, during a particularly unhappy period at school, and he presented it to a vicar’s widow who had loaned him books when he was a child.

In 1872, Andersen was badly injured when he fell out of bed. He never fully recovered from his injuries; he also developed liver cancer, which claimed his life in 1875.

 

SPOTLIGHT ON LAWRENCE KESSENICH

 images

Wild Turkeys

by Lawrence Kessenich

I watch them from my office window

pecking at pebbles on the blacktop,

pink heads, iridescent feathers,

stick legs moving with surprising grace.

 

Living in the woods behind the office

park, they tolerate our diurnal presence,

unmoved by creatures four times their size

invading in steel and glass.

 

Ben Franklin preferred them for our national

symbol, and they act as if they deserve no less.

 

How different would our nation be if we

had chosen these gentle grazers—who

nonetheless defend their nests—over

a bird who scours the earth for prey?

 

American though they are, these turkeys have

no allegiance. They only need a patch of earth

to scratch, a place to raise their pink young. And,

come to think of it, do any of us need more?

 

“Wild Turkeys” by Lawrence Kessenich from Before Whose Glory. © Future Cycle Press, 2013. Reprinted with permission.  (buy now)


 

Communion

During Lent, season of discipline,

I drag myself early out of bed, ride

to Mass with Mom and Mrs. Crivello,

warm in the front seat between their

woolen coats, soothed by familiar perfume.

Headlights carve the ebony darkness.

The women talk in low tones

about people I don’t know, the thrum

of their voices reassuring. I doze

for seconds that seem like minutes.

In the half-acre lot, we park among

a small band of cars huddled near

the entrance of St. Monica’s. Inside,

stained glass windows, a feast of color

in daylight, are black. The church is barn-cold.

Candles burn, bells ring, prayers are murmured,

songs sung. The church warms slowly. I sit,

stand, kneel between the two women,

rituals washing over me like soft waves

on Lake Michigan in August.

Later, I carry the sacred mood

out on my route, dispensing papers

like Communion to my neighbors.

 

“Communion” by Lawrence Kessenich from Age of Wonders. © Big Table Publishing, 2016. Reprinted by permission.  (buy now)

 


 

Becoming Bostonian

 

I hear the music of seven languages

on a four-block stretch of Harvard Square,

see the copper glow of the Hancock

Tower at sunset, feel the familiar

bump of cobblestones under my feet.

Mark Twain said people in New York ask

“How much is he worth?” while Bostonians

ask “How much does he know?” That burning

desire to discover keeps the city humming,

yet we’re grounded in history, too,

still treading on sidewalks made of

baked clay. I stand

one night on Beacon Hill, gaze up at the

few stars city lights allow to shine,

feel myself stretched between past and future

the pull of the earth on which

our forefathers stood, the pull of the moon,

which they could not have dreamed their descendants

would visit. Or perhaps they did.

One historian reports that

“there were books on Beacon Hill while wolves

still howled from the summit.” Perhaps some

Englishman closed his book one night and stood

where I stand, dreaming of what we’ve become.

 

“Becoming Bostonian” by Lawrence Kessenich from Age of Wonders. © Big Table Publishing, 2016. Reprinted with permission.  (buy now)


 

https://thisibelieve.org/essay/441/

In My Father’s Tears

Lawrence Kessenich – Watertown, Massachusetts

As heard on The Bob Edwards Show, December 17, 2010

My father and I disagreed vehemently about politics and religion in the late 1960s. He was a World War II veteran and a colonel in the Wisconsin National Guard. I was a long-haired student at the University of Wisconsin–Milwaukee, helping to organize antiwar demonstrations. He was a devout Catholic. I was an agnostic. My younger siblings remember all too vividly the violent arguments he and I would have. There was nowhere to hide from them in the small home where we lived. Once, my father ended up chasing me around the kitchen table, intent on hitting me for the first time in his life—and then he broke down crying.

The memory of those tears says more to me about who my father was than the memories of our arguments. He was a man who cared passionately—about the people he knew and loved, but also about people in need he didn’t know at all. He taught me to care with the same intensity. I never doubted that he loved me, even in those moments when I felt least understood by him. And his life spoke eloquently about how much he cared for the less fortunate. He and my mother always did charitable work—preparing and serving meals for homeless people at St. Ben’s parish in Milwaukee’s inner city, for example—but after my father retired, he took his social action to a new level.

He was admitted to a lay ministry program sponsored by the Milwaukee Archdiocese, a program that introduced him to contemporary theology and the history of Catholic social action. This was heady stuff for a man who had never gone to college—one of the greatest regrets of his life, by the way. Suddenly, my conservative father sounded like someone from Dorothy Day’s Catholic Worker Movement of the 1930s. He became incensed about how unconcerned the wealthy people in his suburban parish were about the plight of the less fortunate. When he graduated from the program, he became the Social Programs Coordinator for his parish, and until he died at eighty-one, he was a thorn in the side of his fellow parishioners, continually exhorting them to give more to, and do more for, those in need.

It is in large part because of the example set by my father, Arthur Kessenich, that I believe I have a responsibility to give of myself—not just to those I know and love, but to those I would never know if I didn’t seek them out: the poor, the disabled, the imprisoned. It is because of my father’s example that I try to tithe, to give 10 percent of my income to charity; that I spend two hours a week assisting a blind man; that I help lead Alternatives to Violence workshops in prisons.

I don’t do it out of guilt or fear of damnation, but out of love. Because I saw love in action, in my father’s tears and in the way he lived his life. Because of him, I believe in love.

Lawrence Kessenich was formerly an editor at Houghton Mifflin, where he encouraged W. P. Kinsella to write Shoeless Joe, the basis for the movie “Field of Dreams.” Mr. Kessenich now makes his living as a marketing writer while spending his free time writing poetry, essays, short stories, plays, and novels. He lives in Watertown, Massachusetts.


 

Lawrence Kessenich Reading Poetry on Poet to Poet Writer to Writer with Doug Holder

 

 

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Lawrence Kessenich

 

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PRODUCING THE BEATLES MUSIC

http://www.vulture.com/2016/03/10-odd-john-lennon-requests-of-george-martin.html#

By Dan Reilly

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The Beatles with George Martin (Photo Michael Ochs)

Outside of his arrangement and recording skills, one of late producer George Martin’s greatest talents was taking the Beatles’ ambitious, often psychedelic concepts and making them into reality. It was particularly challenging when it came to the abstract ideas of John Lennon, whom Martin called an “aural Salvador Dalí.” Unlike Paul McCartney, who could generally offer concrete suggestions for his sounds, Lennon would speak of colors and sensations, which Martin somehow managed to translate to tape. In the wake of Martin’s passing, Vulture looks back at the many times he turned Lennon’s far-out ideas into musical legend.

“The First Feedback Ever Recorded”

The beginning five seconds of the Beatles’ 1964 single “I Feel Fine” contains nothing but a thick buzzing, which was actually feedback from a guitar Lennon left leaning up against his amp. Martin agreed to keep the accidental noise in, years before ax men like Jimi Hendrix and Pete Townshend would incorporate the screeches and howls in their songs. “That’s me, including the guitar lick with the first feedback ever recorded,” Lennon told Playboy in 1980. “I defy anybody to find an earlier record … unless it is some old blues record from the ’20s … with feedback on it.”

 

“Something Baroque-Sounding”

For the poignant Rubber Soul track “In My Life,” Lennon knew he needed something unique for the instrumental section in the middle. As usual, his instructions to Martin were vague, telling the producer he wanted “something Baroque-sounding.” Martin composed a piano solo but, thanks to his limitations with the instrument, couldn’t play it quickly enough to match the song’s pace. Rather than bring in another musician, Martin decided to experiment with the studio’s technology, recording the solo at half-tempo and speeding up the tape to make it fit, inadvertently giving the piano the sound of a harpsichord.

 

“Thousands of Monks Chanting”

As the Beatles got more into drugs and the burgeoning hippie movement, Lennon composed his most ambitious song yet, “Tomorrow Never Knows,” for 1966’s Revolver, interpreting lyrics from The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead by Timothy Leary, Richard Alpert, and Ralph Metzner. Lennon’s dream sound for the droning album closer? “I’d imagined in my head that in the background you would hear thousands of monks chanting. That was impractical of course and we did something different.” Instead, Martin ran Lennon’s vocals through a rotating Leslie speaker, though Lennon pondered the possibility of being hung upside down from the ceiling and being spun around a microphone to get a similar effect. He and the rest of the group also used the innovative techniques of playing certain instrumental tracks in reverse and looping tapes to create surreal background noises, such as Paul McCartney’s laugh being tweaked into the sound of a seagull.

 

“Just Join Them Together”

After Revolver, Lennon continued his boundary-pushing writing, penning the nostalgic “Strawberry Fields Forever” about his Liverpool childhood, ultimately recording two distinct versions of it. The first, featuring just the band’s sparser electric instruments, came out a little too brash for his tastes, but the second, with the more dramatic addition of strings and horns, also didn’t fully live up to his standards. According to Martin’s 1979 memoir, All You Need Is Ears, he made an offhand comment to Lennon about splitting hairs, leading the Beatle to suggest splicing the two takes together — “Why don’t we just join them together?” Martin balked, telling Lennon that the takes were in different tempos and keys, but Lennon insisted, saying he knew the producer could tackle the problem. “John always left this kind of thing to me,” Martin wrote. “He never professed to know anything about recording. He was the least technical of the Beatles.” Challenge accepted, Martin and engineer Geoff Emerick adjusted the tracks’ speeds to make their pitches match and, using a pair of editing scissors, spliced the tapes together around the one-minute mark to make one of the Beatles’ most-loved songs. “That is how ‘Strawberry Fields’ was issued, and that is how it remains today — two recordings,” wrote Martin.

“Inject My Voice”

In order to get a beefier bass sound for the Sgt. Pepper’s Lonely Hearts Club Band title track, Martin and his team had McCartney plug his instrument directly into their studio console, a now-common but then-pioneering tactic. Lennon loved the sound so much that he wondered if they could do the same for his vocals. “John came up to the control room one day and asked if we could possibly inject his voice directly into the console,” engineer Geoff Emerick said, according to Ultimate Classic Rock. “George replied, ‘Yes, if you go and have an operation. It means sticking a jack-plug into your neck!'”

 

“Smell the Sawdust”

Based on an old poster he owned, Lennon wrote “Being for the Benefit of Mr. Kite!” and asked Martin to help him evoke the sights, sounds, and smells of a carnival, with his usual vague ideas. “He’d make whooshing noises and try to describe what only he could hear in his head, saying he wanted a song ‘to sound like an orange,'” Martin recalled in Mark Lewisohn’s 1988 book The Complete Beatles Recording Sessions. “John had said that he wanted to ‘smell the sawdust on the floor,’ wanted to taste the atmosphere of the circus.” Martin took recordings of old Victorian steam organs and told Emerick to cut the tapes into small pieces, toss them in the air, then reassemble them at random and include them in the song to re-create the cacophony of a circus.

 

“A Chicken Cluck”

For no discernible reason, Lennon’s upbeat, soulful “Good Morning, Good Morning” is, excuse the pun, peppered throughout with the sounds of dogs and farm animals. Seeking to make the album flow seamlessly, Martin stumbled on the perfect solution to bridge the gap between “Good Morning” and the “Sgt. Pepper’s” reprise. “Imagine my delight when I discovered that the sound of a chicken cluck at the end of ‘Good Morning’ was remarkably like the guitar sound at the beginning of ‘Sergeant Pepper,'” he wrote in All You Need Is Ears. “I was able to cut and mix the two tracks in such a way that the one actually turned into the other.”

 

“Like the End of the World”

While working on “A Day in the Life,” the final Sgt. Pepper’s song, the Beatles and Martin were at a loss for how to fill in the 24 bars that close it out. “As always, it was a matter of my trying to get inside his mind, discover what pictures he wanted to paint and then try to realize them for him,” Martin wrote of Lennon in Ears. “He said, ‘What I’d like to hear is a tremendous build-up, from nothing up to something absolutely like the end of the world.” Martin hired a 40-piece orchestra and gave them an improvised score to create the grand dissonance, while the band invited a number of friends, include several Rolling Stones and Marianne Faithfull, to the session, and kept the mood loose by giving the orchestra members gag props to wear, such as fake nipples and gorilla-paw gloves. McCartney then convinced Martin to add in another couple strange bits to close out the LP after the final piano chord faded. The first is a high-pitched noise set at a frequency where only dogs can hear it, followed by a sampling of random studio chatter that originally appeared on the vinyl LP’s run-off groove. Some fans claimed that if they played the gibberish backward, they heard a random, hidden obscene phrase. “Well, with a huge stretch of the imagination, I supposed it did, but that was certainly never intended,” Martin said.

“Some Weird Noises”

After learning that an English teacher from his old high school was having students analyze his lyrics, Lennon wrote “I Am the Walrus,” just for the sake of writing something so surreal and confusing that people wouldn’t be able to decipher it. Martin was flummoxed, recalling the sessions in a 2013 interview with Rock Cellar magazine: “When I first heard that he just stood in front of me with a guitar and sang it through. But it was weird. I said to him, ‘What the hell am I going to do with this, John?’ And he said, ‘I’d like for you to do a score and use some brass and some strings and some weird noises. You know the kind of thing I want.’ But I didn’t but I mean I just went away and did that.” And that’s how the Magical Mystery Tour single — with its acid-influenced references to Lewis Carroll, Ginsberg, schoolyard rhymes, and King Lear — came to fruition

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“A Picture in Sound”

“Revolution 9,” the divisive avant-garde collage from The White Album, is easily the weirdest thing the Beatles ever released. In a 1971 interview with Melody Maker, Martin took credit for much of the song’s oddities: “It was just an extension of ‘Tomorrow Never Knows,’ a similar kind of thing with various tapes, and I guess this was largely influenced by Yoko, because it was her kind of scene. But again I was painting a picture in sound, and if you sat in front of the speakers you just lost yourself in stereo. All sorts of things are happening in there: you can see people running all over the place and fires burning, it was real imagery in sound. It was funny in places too, but I suppose it went on a bit long.” Lennon took umbrage with these comments, as well as some in which the producer criticized his solo work, and wrote directly to the interviewer. “When people ask me questions about ‘What did George Martin really do for you?,’ I have only one answer, ‘What does he do now?’ I noticed you had no answer for that! It’s not a putdown, it’s the truth,” he said, before adding, “For Martin to state that he was ‘painting a sound picture’ is pure hallucination. Ask any of the other people involved. The final editing Yoko and I did alone (which took four hours).” According to Rolling Stone, a calmer Lennon later took it all back, saying, “George Martin made us what we were in the studio. He helped us develop a language to talk to other musicians.”

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